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THE PARENT's ASSISTANT; OR, STORIES FOR CHILDREN. PART. II.......VOL. II. CONTAINING,

THE SECOND EDITION.

LONDON: PRINTED FOR J. JOHNSON, IN ST. PAUL'S CHURCH-YARD. 1796.

THE BIRTH-DAY PRESENT.

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"MAMMA," ſaid Roſamond, after a long ſilence, "do you know, what I have been thinking of all this time?"

"No, my dear.—What?"

"Why, mamma, about my couſin Bell's birth-day; do you know what day it is?"

"No, I don't remember."

"Dear mother! don't you remember its the 22d of December; and her birth-day is the day after to - morrow?—Don't you recollect now? But you never remember [2]about birth-days, mamma: that was juſt what I was thinking of, that you never remember my ſiſter Laura's birth-day, or—or—or mine, mamma."

"What do you mean, my dear? I remember your birth-day perfectly well."

"Indeed! but you never keep it though."

"What do you mean by keeping your birth-day?"

"Oh, mamma, you know very well—as Bell's birth-day is kept.—In the firſt place there is a great dinner."

"And can Bell eat more upon her birth-day than upon any other day?"

"No; nor I ſhould not mind about the dinner, except the mince pies. But Bell has a great many nice things; I don't mean nice eatable [3]things, but nice new playthings given to her always on her birth-day; and every body drinks her health, and ſhe's ſo happy."

"But ſtay, Roſamond, how you jumble things together! Is it every body's drinking her health that makes her ſo happy; or the new playthings, or the nice mince pies? I can eaſily believe that ſhe is happy whilſt ſhe is eating a mince pie, or whilſt ſhe is playing; but how does every body's drinking her health at dinner make her happy?"

Roſamond pauſed, and then ſaid ſhe did not know. "But," added ſhe, "the nice new playthings, mother!"

"But why the nice new playthings? Did you like them only becauſe they were new?"

[4] "Not only—I do not like playthings only becauſe they are new, but Bell does I believe—for that puts me in mind—Do you know, mother, ſhe had a great drawer full of old playthings that ſhe never uſed, and ſhe ſaid that they were good for nothing becauſe they were old; but I thought many of them were good for a great deal more than the new ones.—Now you ſhall be judge, mamma; I'll tell you all that was in the drawer."

"Nay, Roſamond, thank you, not juſt now; I have not time to liſten to you."

"Well then, mamma, the day after to-morrow I can ſhew you the drawer: I want you to be judge very much, becauſe I am ſure I was in the right.—And, mother," added Roſamond, ſtopping her as ſhe was [5]going out of the room, "will you—not not now, but when you've time—will you tell me why you never keep my birth-day—why you never make any difference between that day and any other day?"

"And will you, Roſamond—not now, but when you have time to think about it—tell me why I ſhould make any difference between your birth-day and any other day?"

Roſamond thought—but ſhe could not find out any reaſon: beſides, ſhe ſuddenly recollected that ſhe had not time to think any longer, for there was a certain work baſket to be finiſhed, which ſhe was making for her couſin Bell, as a preſent upon her birth-day. The work was at a ſtand for want of ſome filigree paper, and as her mother was going out ſhe aſked her to take her with her, that [6]ſhe might buy ſome.—Her ſiſter Laura went with them.

"Siſter," ſaid Roſamond, as they were walking along, "what have you done with your half-guinea?"

"I have it in my pocket."

"Dear! you will keep it for ever in your pocket: you know my godmother when ſhe gave it to you ſaid you would keep it longer than I ſhould keep mine; and I know what ſhe thought by her look at the time.—I heard her ſay ſomething to my mother."

"Yes," ſaid Laura, ſmiling, "ſhe whiſpered ſo loud that I could not help hearing her too: ſhe ſaid I was a little miſer."

"But did not you hear her ſay that I was very generous? and ſhe'll ſee that ſhe was not miſtaken.—I hope ſhe'll be by when I give my [7]baſket to Bell—won't it be beautiful?—there is to be a wreath of myrtle, you know, round the handle, and a froſt ground, and then the medallions—"

"Stay," interrupted her ſiſter; for Roſamond, anticipating the glories of her work-baſket, talked and walked ſo faſt, that ſhe had paſſed, without perceiving it, the ſhop where the filigree paper was to be bought.—They turned back. Now it happened that the ſhop was the corner houſe of a ſtreet, and one of the windows looked out into a narrow lane: a coach full of ladies ſtopped at the door juſt before they went in, ſo that no one had time immediately to think of Roſamond and her filigree paper, and ſhe went to the window, where ſhe ſaw that her ſiſter [8]Laura was looking earneſtly at ſomething that was paſſing in the lane.

Oppoſite to the window, at the door of a poor looking houſe, there was ſitting a little girl weaving lace. Her bobbins moved as quick as lightning and ſhe never once looked up from her work.

"Is not ſhe very induſtrious?" ſaid Laura; "and very honeſt too," added ſhe in a minute afterwards; for juſt then, a baker with a baſket of rolls on his head paſſed, and by accident one of the rolls fell cloſe to the little girl: ſhe took it up eagerly, looked at it as if ſhe was very hungry, then put aſide her work, and ran after the baker to return it to him.

Whilſt ſhe was gone, a footman in a livery laced with ſilver, who belonged to the coach that ſtood at the [9]ſhop door, as he was lounging with one of his companions, chanced to ſpy the weaving pillow, which ſhe had left upon a ſtone before the door. To divert himſelf (for idle people do miſchief often to divert themſelves) he took up the pillow, and entangled all the bobbins. The little girl came back out of breath to her work; but what was her ſuprize and ſorrow to find it ſpoiled: ſhe twiſted and untwiſted, placed and replaced the bobbins, whilſt the footman ſtood laughing at her diſtreſs. She got up gently, and was retiring into the houſe, when the ſilver-laced footman ſtopped her, ſaying inſolently—"Sit ſtill, child."

"I muſt go to my mother, ſir," ſaid the child; "beſides, you have ſpoiled all my lace—I can't ſtay."

[10] "Can't you," ſaid the brutal footman, ſnatching her weaving pillow again; "I'll teach you to complain of me." And he broke off, one after another, all the bobbins, put them in his pocket, rolled her weaving pillow down the dirty lane, then jumped up behind his miſtreſs's coach, and was out of ſight in an inſtant.

"Poor girl!" exclaimed Roſamond, no longer able to reſtrain her indignation at this injuſtice: "Poor little girl!"

At this inſtant her mother ſaid to Roſamond—"Come now, my dear, if you want this filigree paper buy it."

"Yes, madam," ſaid Roſamond; and the idea of what her godmother and her couſin Bell would think of her generoſity, ruſhed again upon [11]her imagination. All her feelings of pity were immediately ſuppreſſed. Satisfied with beſtowing another exclamation upon the "Poor little girl," ſhe went to ſpend her half-guinea upon her filigree baſket. In the mean time ſhe that was called the "little miſer," beckoned to the poor girl, and opening the window ſaid, pointing to the cuſhion, "Is it quite ſpoiled?"

"Quite! quite ſpoiled! and I can't, nor mother neither, buy another: and I can't do any thing elſe for my bread."—A few, but very few, tears fell as ſhe ſaid this.

"How much would another coſt?" ſaid Laura.

"Oh, a great—great deal."

"More than that?" ſaid Laura, holding up her half-guinea.

"Oh, no."

[12] "Then you can buy another with that," ſaid Laura, dropping the halfguinea into her hand, and ſhe ſhut the window before the child could find words to thank her; but not before ſhe ſaw a look of joy and gratitude, which gave Laura more pleaſure probably than all the praiſe which could have been beſtowed upon her generoſity.

Late on the morning of her couſin's birth day, Roſamond finiſhed her work-baſket. The carriage was at the door—Laura came running to call her; her father's voice was heard at the ſame inſtant; ſo ſhe was obliged to go down with her baſket but half wrapped up in ſilver paper, a circumſtance at which ſhe was a good deal diſconcerted; for the pleaſure of ſurpriſing Bell would be utterly loſt if one bit of the filigree [13]ſhould peep out before the proper time. As the carriage went on, Roſamond pulled the paper to one ſide and to the other, and by each of the four corners.

"It will never do, my dear," ſaid her father, who had been watching her operations; "I am afraid you will never make a ſheet of paper cover a box which is twice as large as itſelf."

"It is not a box, father," ſaid Roſamond, a little peeviſhly; "its a baſket."

"Let us look at this baſket," ſaid he, taking it out of her unwilling hands; for ſhe knew of what frail materials it was made, and ſhe dreaded its coming to pieces under her father's examination.

[14] He took hold of the handle rather roughly, and ſtarting off the coach ſeat, ſhe cried—

"Oh, ſir! father! ſir! you will ſpoil it indeed!" ſaid ſhe with encreaſed vehemence, when, after drawing aſide the veil of ſilver paper, ſhe ſaw him graſp the myrtle-wreathed handle.

"Indeed, ſir, you will ſpoil the poor handle."

"But what is the uſe of the poor handle," ſaid her father, "if we are not to take hold of it? And pray," continued he, turning the baſket round with his finger and thumb, rather in a diſreſpectful manner—"pray is this the thing you have been about all this week? I have ſeen you all this week dabbling with paſte and rags, I could not conceive what you were about—Is this the thing?"

[15] "Yes, ſir—You think then that I have waſted my time, becauſe the baſket is of no uſe: but then it is for a preſent for my couſin Bell."

"Your couſin Bell will be very much obliged to you for a preſent that is of no uſe; you had better have given her the purple jar."

"Oh, father! I thought you had forgotten that—it was two years ago; I'm not ſo ſilly now. But Bell will like the baſket I know, though it is of no uſe."

"Then you think Bell is ſillier now, than you were two years ago.—Well, perhaps that is true; but how comes it, Roſamond, now that you are ſo wiſe, that you are fond of ſuch a ſilly perſon?"

"I, father?" ſaid Roſamond, heſitating; "I don't think I am very fond of her."

[16] "I did not ſay very fond."

"Well, but I don't think I am at all fond of her."

"But you have ſpent a whole week in making this thing for her."

"Yes, and all my half-guinea beſides."

"Yet you think her ſilly, and you are not fond of her at all; and you ſay you know this thing will be of no uſe to her."

"But it is her birth-day, ſir; and I am ſure ſhe will expect ſomething, and every body elſe will give her ſomething."

"Then your reaſons for giving are becauſe ſhe expects you to give her ſomething. And will you, or can you, or ſhould you always give, merely becauſe others expect, or becauſe ſomebody elſe gives?"

"Always!—no, not always."

[17] "Oh, only on birth-days."

Roſamond, laughing, "Now you are making a joke of me, papa, I ſee; but I thought you liked that people ſhould be generous—my godmother ſaid that ſhe did."

"So do I, full as well as your godmother; but we have not yet quite ſettled what it is to be generous."

"Why, is it not generous to make preſents?" ſaid Roſamond.

"That is a queſtion which it would take up a great deal of time to anſwer.—But, for inſtance, to make a preſent of a thing that you know can be of no uſe, to a perſon you neither love nor eſteem, becauſe it is her birth-day, and becauſe every body gives her ſomething, and becauſe ſhe expects ſomething, and becauſe your godmother ſays ſhe likes [18]that people ſhould be generous, ſeems to me, my dear Roſamond, to be, ſince I muſt ſay it, rather more like folly than generoſity."

Roſamond looked down upon the baſket, and was ſilent.

"Then I am a fool! am I?" ſaid ſhe, looking up at laſt.

"Becauſe you have made one miſtake?—No. If you have ſenſe enough to ſee your own miſtakes, and can afterwards avoid them, you will never be a fool."

Here the carriage ſtopped, and Roſamond recollected that the baſket was uncovered.

Now we muſt obſerve, that Roſamond's father had not been too ſevere upon Bell when he called her a ſilly girl.—From her infancy ſhe had been humoured; and at eight years old ſhe had the misfortune to [19]be a ſpoiled child: ſhe was idle, fretful and ſelfiſh, ſo that nothing could make her happy. On her birth-day ſhe expected, however, to be perfectly happy. Every body in the houſe tried to pleaſe her, and they ſucceeded ſo well, that between breakfaſt and dinner ſhe had only ſix fits of crying. The cauſe of five of theſe fits no one could diſcover; but the laſt, and moſt lamentable, was occaſioned by a diſappointment about a worked muſlin frock. Her mother had promiſed her a new frock, and accordingly at dreſſingtime her maid brought it to her, exclaiming—"See here miſs! what your mamma has ſent you on your birth-day—Here's a frock fit for a queen—if it had but lace round the cuffs."

[20] "And why has not it lace round the cuffs? mamma ſaid it ſhould."

"Yes, but miſtreſs was diſappointed about the lace; it is not come home."

"Not come home, indeed! and didn't they know it was my birthday? But then I ſay I won't wear it without the lace—I can't wear it without the lace—and I won't."

The lace, however, could not be had; and Bell at length ſubmitted to let the frock be put on. "Come, Miſs Bell, dry your eyes," ſaid the maid who educated her; "dry your eyes, and I'll tell you ſomething that will pleaſe you."

"What, then?" ſaid the child, pouting and ſobbing.

"Why—but you muſt not tell that I told you."

"No—but if I am aſked?"

[21] "Why, if you are aſked, you muſt tell the truth to be ſure.—So I'll hold my tongue, miſs."

"Nay, tell me though, and I'll never tell—if I am aſked."

"Well, then," ſaid the maid, "your couſin Roſamond is come, and has brought you the moſt beautifulleſt thing you ever ſaw in your life; but you are not to know any thing about it till after dinner, becauſe ſhe wants to ſurpriſe you; and miſtreſs has put it in her wardrobe till after dinner."

"Till after dinner!" repeated Bell, impatiently; "I can't wait till then, I muſt ſee it this minute."

The maid refuſed her ſeveral times, till Bell burſt into another fit of crying, and the maid, fearing that her miſtreſs would be angry with her, [22]if Bell's eyes were red at dinner-time, conſented to ſhew her the baſket.

"How pretty!—But let me have it in my own hands." ſaid Bell as the maid held the baſket up out of her reach.

"Oh no, you muſt not touch it; for if you ſhould ſpoil it what would become of me?"

"Become of you, indeed!" exclaimed the ſpoiled child, who never conſidered any thing but her own immediate gratification—"Become of you, indeed! what ſignifies that—I ſhan't ſpoil it; and I will have it in my own hands.—If you don't hold it down for me directly, I'll tell that you ſhewed it to me."

"Then you won't ſnatch it?"

"No, no, I won't indeed," ſaid Bell; but ſhe had learned from her maid a total diſregard of truth.— [23]She ſnatched the baſket the moment it was within her reach; a ſtruggle enſued, in which the handle and lid were torn off, and one of the medallions cruſhed inwards, before the little fury returned to her ſenſes. Calmed at this ſight, the next queſtion was, how ſhe ſhould conceal the miſchief which ſhe had done. After many attempts the handle and lid were replaced, the baſket was put exactly in the ſame ſpot in which it had ſtood before, and the maid charged the child "to look as if nothing was the matter."

We hope that both children and parents will here pauſe for a moment to reflect.—The habits of tyranny, meanneſs, and falſehood, which children acquire from living with bad ſervants, are ſcarcely ever conquered [24]in the whole courſe of their future lives.

After ſhutting up the baſket they left the room, and in the adjoining paſſage they found a poor girl waiting with a ſmall parcel in her hand.

"What's your buſineſs?" ſaid the maid.

"I have brought home the lace, madam, that was beſpoke for the young lady."

"Oh, you have, have you, at laſt?" ſaid Bell; "and pray why didn't you bring it ſooner?"

The girl was going to anſwer, but the maid interrupted her, ſaying—"Come, come, none of your excuſes; you are a little idle good for nothing thing, to diſappoint Miſs Bell upon her birth-day.—But now you have brought it, let us look at [25]it." The little girl gave the lace without reply, and the maid deſired her to go about her buſineſs, and not to expect to be paid; for that her miſtreſs could not ſee any body, becauſe ſhe was in a room full of company.

"May I call again, madam, this afternoon?" ſaid the child, timidly.

"Lord bleſs my ſtars!" replied the maid, "what makes people ſo poor, I wonders! I wiſh miſtreſs would buy her lace at the warehouſe, as I told her, and not of theſe folks.—Call again! yes, to be ſure—I believe you'd call, call, call twenty times for two-pence.

However ungraciouſly the permiſſion to call again was granted, it was received with gratitude: the little girl departed with a chearful countenance: and Bell teized her [26]maid till ſhe got her to ſew the long wiſhed for lace upon her cuffs.

Unfortunate Bell!—All dinnertime paſſed, and people were ſo hungry, ſo buſy, or ſo ſtupid, that not an eye obſerved her favourite piece of finery. Till at length ſhe was no longer able to conceal her impatience, and turning to Laura, who ſat next to her, ſhe ſaid—"You have no lace upon your cuffs; look how beautiful mine is!—Is not it? Don't you wiſh your mamma could afford to give you ſome like it?—But you can't get any if ſhe would, for this was made on purpoſe for me on my birth-day, and nobody can get a bit more any where, if they would give the world for it."

"But cannot the perſon who made it," ſaid Laura, "make any more like it?"

[27] "No, no, no!" cried Bell; for ſhe had already learned, either from her maid or her mother, the mean pride which values things not for being really pretty or uſeful, but for being ſuch as nobody elſe can procure.

"Nobody can get any like it, I ſay," repeated Bell; "Nobody in all London can make it but one perſon, and that perſon will never make a bit for any body but me, I am ſure—mamma won't let her if I aſk her not."

"Very well," ſaid Laura, coolly, "I do not want any of it; you need not be ſo violent: I aſſure you that I don't want any of it."

"Yes, but you do though," ſaid Bell, more angrily.

"No, indeed," ſaid Laura, ſmiling.

[28] "You do in the bottom of your heart; but you ſay you don't to plague me, I know," cried Bell, ſwelling with diſappointed vanity.— "It is pretty for all that, and it coſt a great deal of money too, and nobody ſhall have any like it if they cried their eyes out."

Laura received this ſentence in ſilence—Roſamond ſmiled. And at her ſmile the ill-ſuppreſſed rage of the ſpoiled child burſt forth into the ſeventh and loudeſt fit of crying which had been heard upon her birth-day.

"What's the matter, my pet?" cried her mother; "Come to me, and tell me what's the matter."

Bell ran roaring to her mother; but no otherwiſe explained the cauſe of her ſorrow than by tearing the fine lace, with frantic geſtures, from [29]her cuffs, and throwing the fragments into her mother's lap.

"Oh! the lace, child!—are you mad?" ſaid her mother, catching hold of both her hands. "Your beautiful lace, my dear love—do you know how much it coſt?"

"I don't care how much it coſt—it is not beautiful, and I'll have none of it," replied Bell, ſobbing—"for it is not beautiful."

"But it is beautiful," retorted her mother; "I choſe the pattern myſelf.—Who has put it into your head, child, to diſlike it?—Was it Nancy?"

"No, not Nancy, but them, mamma," ſaid Bell, pointing to Laura and Roſamond.

"Oh fie! don't point," ſaid her mother, putting down her ſtubborn finger; "nor ſay them, like Nancy; [30]I am ſure you miſunderſtood—Miſs Laura, I am ſure, did not mean any ſuch thing."

"No, madam; and I did not ſay any ſuch thing that I recollect," ſaid Laura, gently.

"Oh no, indeed!" cried Roſamond, warmly riſing in her ſiſter's defence. But no defence or explanation was to be heard, for every body had now gathered round Bell to dry her tears, and to comfort her for the miſchief ſhe had done to her own cuffs.

They ſucceeded ſo well, that in about a quarter of an hour the young lady's eyes, and the reddened arches over her eyebrows came to their natural colour; and the buſineſs being thus happily huſhed up, the mother, as a reward to her daughter for her good humour, begged that Roſamond [31]would now be ſo good as to produce her "charming preſent."

Roſamond, followed by all the company, amongſt whom to her great joy was her godmother, proceeded to the dreſſing-room.

"Now I am ſure," thought ſhe, "Bell will be ſurpriſed, and my godmother will ſee ſhe was right about my generoſity."

The doors of the wardrobe were opened with due ceremony, and the filigree baſket appeared in all its glory.

"Well, this is a charming preſent indeed!" ſaid the godmother, who was one of the company; "My Roſamond knows how to make preſents." And as ſhe ſpoke ſhe took hold of the baſket, to lift it down to the admiring audience. Scarcely had [32]ſhe touched it when lo! the myrtle wreath, the medallions, all dropped—the baſket fell to the ground, and only the handle remained in her hand.

All eyes were fixed upon the wreck. Exclamations of ſorrow were heard in various tones; and "Who can have done this?" was all that Roſamond could ſay. Bell ſtood in ſullen ſilence, which ſhe obſtinately preſerved in the midſt of the enquiries which were made about the diſaſter. At length the ſervants were ſummoned, and amongſt them Nancy, Miſs Bell's maid and governeſs: ſhe affected much ſurpriſe when ſhe ſaw what had befallen the baſket, and declared that ſhe knew nothing of the matter, but that ſhe had ſeen her miſtreſs in the morning put it quite ſafe into the wardrobe; [33]and that, for her part, ſhe had never touched it, or thought of touching it, in her born days—"Nor Miſs Bell neither, ma'am, I can anſwer for her; for ſhe never knew of its being there, becauſe I never ſo much as mentioned it to her, that there was ſuch a thing in the houſe, becauſe I knew Miſs Roſamond wanted to ſurpriſe her with the ſecret—ſo I never mentioned a ſentence of it—Did I, Miſs Bell?"

Bell, putting on the deceitful look which her maid had taught her, anſwered boldly, No; but ſhe had hold of Roſamond's hand, and at the inſtant ſhe uttered this falſehood ſhe ſqueezed it terribly.

"Why do you ſqueeze my hand ſo?" ſaid Roſamond, in a low voice; "What are you afraid of?"

[34] "Afraid of!" cried Bell, turning angrily; "I'm not afraid of any thing—I've nothing to be afraid about."

"Nay, I did not ſay you had," whiſpered Roſamond; "But only if you did by accident—You know what I mean—I ſhould not be angry if you did—Only ſay ſo."

"I ſay I did not!" cried Bell, furiouſly; "Mamma!—Mamma!—Nancy! my couſin Roſamond won't believe me! that's very hard—It's very rude! and I won't bear it—I won't."

"Don't be angry, love—don't;" ſaid the maid.

"Nobody ſuſpects you, darling;" ſaid her mother.—"But ſhe has too much ſenſibility.—Don't cry, love, nobody ſuſpected you."

[35] "But you know," continued ſhe, turning to the maid, "ſomebody muſt have done this, and I muſt know how it was done; Miſs Roſamond's charming preſent muſt not be ſpoiled in this way, in my houſe, without my taking proper notice of it.—I aſſure you I am very angry about it, Roſamond."

Roſamond did not rejoice in her anger, and had nearly made a ſad miſtake, by ſpeaking loud her thoughts—"I was very fooliſh—" ſhe began and ſtopped.

"Ma'am," cried the maid, ſuddenly, "I'll venture to ſay I know who did it."

"Who?" ſaid every one eagerly.

"Who?" ſaid Bell, trembling.

"Why, Miſs, don't you recollect that little girl with the lace, that we [36]ſaw peeping about in the paſſage: I'm ſure ſhe muſt have done it, for here ſhe was by herſelf half an hour or more, and not another creature has been in miſtreſs's dreſſing-room, to my certain knowledge, ſince morning. Thoſe ſort of people have ſo much curioſity, I'm ſure ſhe muſt have been meddling with it;" added the maid.

"Oh yes, that's the thing," ſaid the miſtreſs, decidedly.—"Well, Miſs Roſamond, for your comfort, ſhe ſhall never come into my houſe again."

"Oh, that would not comfort me at all," ſaid Roſamond; "beſides, we are not ſure that ſhe did it; and if—" A ſingle knock at the door was heard at this inſtant: it was the little girl, who came to be paid for her lace.

[37] "Call her in," ſaid the lady of the houſe; "let us ſee her directly."

The maid, who was afraid that the girl's innocence would appear if ſhe were produced, heſitated; but upon her miſtreſs's repeating her commands, ſhe was forced to obey.

The child came in with a look of ſimplicity; but when ſhe ſaw the room full of company ſhe was a little abaſhed. Roſamond and Laura looked at her, and at one another with ſurpriſe; for it was the ſame little girl whom they had ſeen weaving lace.

"Is not it ſhe?" whiſpered Roſa mond to her ſiſter.

"Yes it is; but huſh," ſaid Laura, "ſhe does not know us.—Don't ſay a word, let us hear what ſhe will ſay." Laura got behind the reſt of [38]the company as ſhe ſpoke, ſo that the little girl could not ſee her.

"Vaſtly well!" ſaid Bell's mother; "I am waiting to ſee how long you will have the aſſurance to ſtand there with that innocent look. Did you ever ſee that baſket before?"

"Yes; ma'am;" ſaid the girl.

"Yes, ma'am," cried the maid, "and what elſe do you know about it?—You had better confeſs it at once, and Miſtreſs perhaps will ſay no more about it."

"Yes, do confeſs it;" added Bell, earneſtly.

"Confeſs what, madam?" ſaid the little girl; "I never touched the baſket, madam."

"You never touched it; but you confeſs," interrupted Bell's mother, that you did ſee it before—And pray [39]how came you to ſee it? you muſt have opened my wardrobe."

"No, indeed, madam," ſaid the little girl; "but I was waiting in the paſſage, ma'am, and this door was partly open; and looking at the maid, you know, I could not help ſeeing it."

"Why, how could you ſee it through the doors of my wardrobe?" rejoined the lady.

The maid, frightened, pulled the little girl by the ſleeve.

"Anſwer me," ſaid the lady, "where did you ſee this baſket?"

Another ſtronger pull.

"I ſaw it, madam, in her hands," looking at the maid; "and—"

"Well, and what became of it afterwards?"

"Ma'am," heſitating, "Miſs pulled, and by accident—I believe, I [40]ſaw, ma'am—Miſs, you know what I ſaw."

"I do not know—I do not know: and if I did—you had no buſineſs there—and mamma won't believe you, I am ſure."

But every body elſe did, and their eyes were fixed upon Bell in a manner which made her feel rather aſhamed.

"What do you all look at me ſo for?—Why do you all look ſo? —And am I to be ſhamed upon my birth-day?" cried ſhe, burſting into a roar of paſſion; "And all for this naſty thing!" added ſhe, puſhing away the remains of the baſket, and looking angrily at Roſamond.

"Bell; Bell! Oh fie! fie! now I am aſhamed of you—that's quite rude to your couſin," ſaid her mother, who was more ſhocked at her daughter's want of politeneſs than at [41]her falſehood. -"Take her away, Nancy, till ſhe has done crying;" added ſhe to the maid, who accordingly carried off her pupil.

Roſamond, during this ſcene, eſpecially at the moment when her preſent was puſhed away with ſuch diſdain, had been making reflections upon the nature of true generoſity. A ſmile from her father, who ſtood by, a ſilent ſpectator of the cataſtrophe of the filigree baſket, gave riſe to theſe reflections; nor were they entirely diſſipated by the condolence of the reſt of the company, nor even by the praiſes of her godmother, who to conſole her ſaid—'Well, my dear Roſamond, I admire your generous ſpirit. You know I prophecied that your half-guinea would be gone the ſooneſt—Did I not, Laura?" ſaid ſhe, appealing [42]in a ſarcaſtic tone to where ſhe thought Laura was.—"Where is Laura? I don't ſee her."

Laura came forward.

"You are too prudent to throw away your money like your ſiſter; your half-guinea, I'll anſwer for it, is ſnug in your pocket—Is it not?"

"No, madam;" anſwered ſhe, in a low voice. But low as the voice was, the poor little lace-girl heard it; and now for the firſt time, fixing her eyes upon Laura, recollected her benefactreſs.

"Oh, that's the young lady!" ſhe exclaimed, in a tone of joyful gratitude—"The good!—good young lady, who gave me the half-guinea, and would not ſtay to be thanked for it—but I will thank her now."

[43] "The half-guinea, Laura!" ſaid her godmother—"What is all this?"

"I'll tell you, madam, if you pleaſe;" ſaid the little girl.

It was not in expectation of being praiſed for it, that Laura had been generous, and therefore every body was really touched with the hiſtory of the weaving-pillow; and whilſt they praiſed, felt a certain degree of reſpect, which is not always felt by thoſe who pour forth eulogiums. Reſpect is not an improper word, even applied to a child of Laura's age; for let the age or ſituation of the perſon be what it may, they command reſpect who deſerve it.

"Ah, madam!" ſaid Roſamond to her godmother, "now you ſee—you ſee ſhe is not a little miſer: I'm ſure that's better than waſting half a [44]guinea upon a filigree baſket—Is it not, ma'am?" ſaid ſhe, with an eagerneſs which ſhewed that ſhe had forgotten all her own misfortunes in ſympathy with her ſiſter.—"This is being really generous, father, is it not?"

"Yes, Roſamond," ſaid her father, and he kiſſed her—"this is being really generous. It is not only by giving away money that we can ſhew generoſity, it is by giving up to others any thing that we like ourſelves: and therefore," added he, ſmiling, "it is really generous of you to give your ſiſter the thing you like beſt of all others."

"The thing I like the beſt of all others, father," ſaid Roſamond, half pleaſed, half vexed; "What is that I wonder?—You don't mean praiſe, do you, ſir?"

[45] "Nay, you muſt decide that, Roſamond."

"Why, ſir," ſaid ſhe, ingenuouſly, "perhaps it was ONCE the thing I liked beſt; but the pleaſure I have juſt felt, makes me like ſomething elſe better."

OLD POZ.

[47]

SCENE I.

The houſe of Juſtice Headſtrong—a hall. Lucy watering ſome myrtles—a Servant behind the ſcenes is heard to ſay—

—I Tell you my maſter is not up — you can't ſee him, ſo go about your buſineſs, I ſay.

Lucy.
[48]

Who are you ſpeaking to William?—Who's that?

Will.

Only an old man, miſs, with a complaint for my maſter.

Lucy.

Oh then don't ſend him away—don't ſend him away.

Will.

But maſter has not had his chocolate, ma'am. He won't ſee any body ever before he drinks his chocolate, you know, ma'am.

Lucy.

But let the old man then come in here—perhaps he can wait a little while—call him.

Exit Servant.
(Lucy ſings, and goes on watering her myrtles—the Servant ſhews in the old man.)
Will.

You can't ſee my maſter this hour, but miſs will let you ſtay here.

Lucy
(aſide.)

Poor old man, how he trembles as he walks.

(aloud)

Sit [49]down, ſit down, my father will ſee you ſoon; pray ſit down.

(He heſitates, ſhe puſhes a chair towards him.)
Lucy.

Pray ſit down.

(He ſits down.)
Old M.

You are very good miſs, very good.

(Lucy goes to her myrtles again.)
Lucy.

Ah! I'm afraid this poor myrtle is quite dead—quite dead.

(The old man ſighs, and ſhe turns round.)
Lucy.
(aſide.)

I wonder what can make him ſigh ſo!—

(Aloud)

My father won't make you wait long.

Old M.

Oh ma'am, as long as he pleaſes—I'm in no haſte, no haſte—its only a ſmall matter.

Lucy.

But does a ſmall matter make you ſigh ſo?

Old M.

Ah miſs, becauſe, though it is a ſmall matter in itſelf, it is not a [50]ſmall matter to me;

(ſighing again;)

it was my all, and I've loſt it.

Lucy.

What do you mean? What have you loſt?

Old M.

Why, miſs—but I won't trouble you about it.

Lucy.

But it won't trouble me, at all—I mean, I wiſh to hear it—ſo tell it me.

Old M.

Why, miſs, I ſlept laſt night at the inn here, in town—the Saracen's head—

Lucy
(interrupts him.)

Hark, there is my father coming down ſtairs; follow me—you may tell me your ſtory as we go along.

Old M.

I ſlept at the Saracen's head, miſs, and—

Exit talking.

JUSTICE HEADSTRONG'S STUDY.

[51]
(He appears in his night-gown and cap, with his gouty foot upon a ſtool—a table and chocolate beſide him—Lucy is leaning on the arm of his chair.)
Juſt.

Well, well, my darling, preſently—I'll ſee him preſently.

Lucy.

Whilſt you are drinking your chocolate, papa?

Juſt.

No, no, no—I never ſee any body till I have done my chocolate, darling.

(He taſtes his chocolate.)

There's no ſugar in this, child.

Lucy.

Yes, indeed, papa.

Juſt.

No child—there's no ſugar I tell you—that's poz!

Lucy.

Oh, but, papa, I aſſure you I put in two lumps myſelf.

Juſt.
[52]

There's no ſugar, I ſay—why will you contradict me, child, forever —there is no ſugar, I ſay.

(Lucy leans over him playfully, and with his tea-ſpoon pulls out two lumps of ſugar.)
Lucy.

What's this, papa?

Juſt.

Pſhaw! pſhaw! pſhaw! it is not melted child—it is the ſame as no ſugar. Oh my foot, girl! my foot—you kill me—go, go, I'm buſy—I've buſineſs to do—go and ſend William to me; do you hear, love!

Lucy.

And the old man, papa?

Juſt.

What old man? I tell you what, I've been plagued ever ſince I was awake, and before I was awake, about that old man. If he can't wait, let him go about his buſineſs—don't you know, child, I never ſee any body till I've drank my chocolate—and I never will, if it was a duke, that's poz! [53]Why it has but juſt ſtruck twelve; if he can't wait, he can go about his buſineſs, can't he?

Lucy.

Oh, ſir, he can wait. It was not he who was impatient:

(ſhe comes back playfully)

it was only I, papa, don't be angry.

Juſt.

Well—well, well;

(finiſhing his cup of chocolate, and puſhing the diſh away)

and at any rate there was not ſugar enough—ſend William, ſend William, child, and I'll finiſh my own buſineſs, and then—

Exit Lucy, dancing—"And then!—"and then!"
JUSTICE alone.

Oh this foot of mine

(twinges)

— oh this foot: Aye, if Dr. Sparerib could cure one of the gout, then, indeed, I ſhould think ſomething of him—but, as to my leaving off my [54]bottle of port, its nonſenſe, its all nonſenſe, I can't do it—I can't, and I won't, for all the Dr. Spareribs in Chriſtendom, that's poz.

Enter WILLIAM.
Juſt.

William—oh! aye—hey—what anſwer, pray, did you bring from the Saracen's Head?—did you ſee Mrs. Buſtle herſelf, as I bid you?

Will.

Yes, ſir, I ſaw the landlady herſelf—ſhe ſaid ſhe would come up immediately, ſir.

Juſt.

Ah that's well—immediately?

Will.

Yes, ſir, and I hear her voice below now.

Juſt.

Oh ſhew her up, ſhew Mrs. Buſtle in.

Enter Mrs. BUSTLE, the landlady of the Saracen's Head.
Land.

Good-morrow to your worſhip!—I'm glad to ſee your worſhip [55]look ſo purely—I came up with all peed

(taking breath,)

our pye is in the oven—that was what you ſent for me about, I take it.

Juſt.

True—true—ſit down good Mrs. Buſtle, pray—

Land.

Oh your worſhip's always very good

(ſettling her apron;)

I came up juſt as I was, only threw my ſhawl over me—I thought your worſhip would excuſe—I'm quite as it were rejoiced to ſee your worſhip look ſo purely, and to find you up ſo hearty—

Juſt.

Oh I'm very hearty

(coughing)

always hearty, thank God for it—I hope to ſee many Chriſtmas doings yet, Mrs. Buſtle—and ſo our pye is in the oven, I think you ſay?

Land.

In the oven it is—I put it in with my own hands, and, pleaſe Heaven we have but good luck in the [56]baking, it will be as pretty a gooſepye, though I ſay it that ſhould not ſay it, as pretty a gooſe-pye as ever your worſhip ſet your eye upon.

Juſt.

Will you take a glaſs of any thing this morning, Mrs. Buſtle?—I have ſome nice uſquebaugh.

Land.

Oh no, your worſhip!—I thank your worſhip, though, as much as if I took it; but I juſt took my luncheon before I came up—or more proper my Sandwich, I ſhould ſay, for the faſhion's ſake, to be ſure. A luncheon won't go down with nobody, now-a-days

(laughs)

—I expects hoſtler and boots will be calling for their Sandwiches juſt now.

(laughs again)

—I'm ſure I beg your worſhip's pardon for mentioning a luncheon.

Juſt.

Oh, Mrs. Buſtle, the word's a good word, for it means a good thing, ha! ha! ha!

(pulls out his [57]watch)

—but pray is it luncheon time?—why its paſt one, I declare, and I thought I was up in remarkably good time, too.

Land.

Well, and to be ſure ſo it was, remarkable good time for your worſhip—but folks in our way muſt be up betimes, you know—I've been up and about theſe ſeven hours!

Juſt.
(ſtretching.)

Seven hours!

Land.

Aye, indeed, eight, I might ſay, for I'm an early little body—though I ſay it that ſhould not ſay it—I am an early little body.

Juſt.

An early little body, as you ſay, Mrs. Buſtle—ſo I ſhall have my gooſe-pye for dinner, hey?

Land.

For dinner, as ſure as the clock ſtrikes four—but I muſtn't ſtay prating, for it may be ſpoiling if I'm away—ſo I muſt wiſh your worſhip a good morning.

(ſhe curtſies.)
Juſt.
[58]

No ceremony—no ceremony, good Mrs. Buſtle, your ſervant.

Enter WILLIAM—to take away the chocolate—the Landlady is putting on her ſhawl.
Juſt.

You may let that man know, William, that I have diſpatched my own buſineſs, and I am at leiſure for his now—

(taking a pinch of ſnuff)

—hum—pray, William!

(Juſtice leans back gravely)

—what ſort of a looking fellow is he, pray?

Will.

Moſt like a ſort of a travelling man, in my opinion, ſir—or ſomething that way, I take it.

(At theſe words the Landlady turns round inquiſitively, and delays, that ſhe may liſten, whilſt ſhe is putting on and pinning her ſhawl.)
Juſt.
[59]

Hum—a ſort of a travelling man—hum—lay my books out open, at the title vagrant—and William, tell the cook that Mrs. Buſtle promiſes me the gooſe-pye for dinner—four o'clock, do you hear?—And ſhew the old man in now.

(The Landlady looks eagerly towards the door, as it opens, and exclaims
Land.

My old gentleman, as I hope to breathe!

Enter the OLD MAN.
(Lucy follows the old man on tiptoe—the Juſtice leans back, and looks conſequential—the Landlady ſets her arms a-kimbo—the old man ſtarts as ſoon as he ſees her.)
Juſt.

What ſtops you, friend? come forward, if you pleaſe.

Land.
[60]
(advancing.)

So, ſir! is it you, ſir?—aye, you little looked, I warrant ye, to meet me here with his worſhip—but there you reckoned without your hoſt—out of the frying pan into the fire.

Juſt.

What is all this?—what is this?

Land.
(running on.)

None of your flummery ſtuff will go down with his worſhip, no more than with me, I give ye warning—ſo you may go farther and fare worſe—and ſpare your breath to cool your porridge.

Juſt.
(waves his hand with dignity.)

Mrs. Buſtle, good Mrs. Buſtle, remember where you are—ſilence!—ſilence!—come forward, ſir, and let me hear what you have to ſay.

(The old Man comes forward.)
Juſt.
[61]

Who, and what may you be, friend? And what is your buſineſs with me?

Land.

Sir, if your worſhip will give me leave—

(Juſtice makes a ſign to her to be ſilent.)
Old M.

Pleaſe your worſhip, I am an old ſoldier.

Land.
(interrupting.)

An old hypocrite, ſay.

Juſt.

Mrs. Buſtle, pray—I deſire—let the man ſpeak.

Old M.

For theſe two years paſt, ever ſince, pleaſe your worſhip—I wasn't able to work any longer, for in my youth I did work as well as the beſt of them.

Land.
(eager to interrupt.)

You work—you—

Juſt.

Let him finiſh his ſtory, I ſay.

Lucy.
[62]

Aye, do, do, papa, ſpeak for him. Pray Mrs. Buſtle—

Land.
(turning ſuddenly round to Lucy.)

Miſs!—a good morrow to you, ma'am—I humbly beg your apologies, for not ſeeing you ſooner, Miſs Lucy.

(Juſtice nods to the old Man, who goes on.)
Old M.

But, pleaſe you worſhip, it pleaſed God to take away the uſe of my left arm, and, ſince that, I have never been able to work.

Land.

Flummery!—flummery!

Juſt.
(angrily.)

Mrs. Buſtle, I have deſired ſilence, and I will have it, that's poz!—you ſhall have your turn preſently.

Old M.

For theſe two years paſt—for why ſhould I be aſhamed to tell the truth, I have lived upon charity, and I ſcraped together a guinea and a half, and upwards; and I was travelling [63]with it to my grandſon, in the north, with him to end my days—but

(ſighing.)
Juſt.

But what?—proceed pray to the point.

Old M.

But, laſt night, I ſlept here in town, pleaſe your worſhip, at the Saracen's Head.

Land.
(in a rage.)

At the Saracen's Head; yes, forſooth, none ſuch ever ſlept at the Saracen's Head, afore, or ever ſhall after as long as my name's Buſtle, and the Saracen's Head is the Saracen's Head.

Juſt.

Again!—again!—Mrs. Landlady, this is downright—I have ſaid you ſhould ſpeak preſently—he ſhall ſpeak firſt, ſince I've ſaid it—that's poz! Speak on, friend: you ſlept laſt night at the Saracen's Head.

Old M.

Yes, pleaſe your worſhip, and I accuſe nobody—but, at night, [64]I had my little money ſafe, and, in the morning, it was gone.

Land.

Gone!—gone indeed in my houſe! and this is the way I'm to be treated; is it ſo?—I could'nt but ſpeak, pleaſe your worſhip, to ſuch an inhuman-like, out-o'-the-way, ſcandalous charge, if King George, and all the Royal Family, were ſitting in your worſhip's chair, beſides you to ſilence me—

(turning to the old Man)

—and this is your gratitude, forſooth! Didn't you tell me that any hole in my houſe was good enough for you, you wheedling hypocrite, and my thanks is to call me and mine a pack of thieves.

Old M.

Oh, no, no, no, No—a pack of thieves, Heaven forbid!

Land.

Aye, I thought when I came to ſpeak we ſhould have you upon your marrow-bones in —

Juſt.
[65]
(imperiouſly.)

Silence!—five times have I commanded ſilence, and five times in vain; and I won't command any thing five times in vain—that's poz!

Land.
(in a pet, aſide.)

Old Poz!

(aloud)

—Then, your worſhip, I don't ſee any buſineſs I have to be waiting here—the folks will want me at home—

(returning and whiſpering)

—ſhall I ſend the gooſe-pye up your worſhip, if its ready?

Juſt.
(with magnanimity.)

I care not for the gooſe-pye, Mrs. Buſtle—do not talk to me of gooſe-pyes—this is no place to talk of pyes.

Land.

Oh, for that matter, your worſhip knows beſt, to be ſure.

Exit Landlady, angry.

SCENE

[66]
JUSTICE HEADSTRONG, OLD MAN, and LUCY.
Lucy.

Ah now I'm glad he can ſpeak—now tell papa—and you need not be afraid to ſpeak to him, for he is very good natured—don't contradict him though—becauſe he told me not—

Juſt.

Oh darling, you ſhall contradict me as often as you pleaſe—only not before I've drank my chocolate, child—hey!—go on my good friend, you ſee what it is to live in old England, where, thank Heaven, the pooreſt of his Majeſty's ſubjects may have juſtice, and ſpeak his mind before the firſt man in the land. Now ſpeak on, and you hear ſhe tells you, you need not be afraid of me. Speak on.

Old M.
[67]

I thank your worſhip, I'm ſure.

Juſt.

Thank me! for what, ſir? I won't be thanked for doing juſtice, ſir; ſo—but explain this matter. You loſt your money, hey, at the Saracen's Head—you had it ſafe laſt night, hey?—and you miſſed it this morning. Are you ſure you had it ſafe at night?

Old M.

Oh, pleaſe your worſhip, quite ſure, for I took it out and looked at it juſt before I ſaid my prayers.

Juſt.

You did—did ye ſo—hum! pray, my good friend, where might you put your money when you went to bed?

Old M.

Pleaſe your worſhip, where I always put it—always—in my tobacco-box.

Juſt.
[68]

Your tobacco-box! I never heard of ſuch a thing—to make a ſtrong box of a tobacco-box—ha! ha! ha!—hum—and you ſay the box and all was gone in the morning.

Old M.

No, pleaſe your worſhip, no, not the box, the box was never ſtirred from the place where I put it. They left me the box—

Juſt.

Tut, tut, tut, man!—took the money and left the box; I'll never believe that; I'll never believe that any one could be ſuch a fool. Tut, tut! the thing's impoſſible: its well you are not upon oath.

Old M.

If I was, pleaſe your worſhip, I ſhould ſay the ſame, for it is the truth.

Juſt.

Don't tell me, don't tell me; I ſay the thing is impoſſible.

Old M.

Pleaſe your worſhip, here's the box.

Juſt.
[69]
(goes on without looking at it.)

Nonſenſe! nonſenſe! its no ſuch thing, its no ſuch thing I ſay—no man would take the money and leave the tobacco-box—I won't believe it—nothing ſhall make me believe it ever—that's poz!

Lucy.
(takes the box, and holds it up before her father's eyes.)

You did not ſee the box, did you, papa?

Juſt.

Yes, yes, yes, child—nonſenſe!—its all a lie from beginning to end. A man who tells one lie will tell a hundred—all a lie!—all a lie!

Old M.

If your worſhip would give me leave—

Juſt.

Sir—it does not ſignify—it does not ſignify; I've ſaid it, I've ſaid it, and that's enough to convince me; and I'll tell you more, if my Lord Chief Juſtice of England told it to me, I would not believe it—that's poz!

Lucy,
[70]
ſtill playing with the box

—but how comes the box here, I wonder?

Juſt.

Pſhaw! pſhaw! pſhaw darling!—go to your dolls, darling, and don't be poſitive—go to your dolls, and don't talk of what you don't underſtand. What can you underſtand, I want to know, of the law?

Lucy.

No, papa, I didn't mean about the law—but about the box; becauſe, if the man had taken it, how could it be here, you know, papa?

Juſt.

Hey, hey, what?—why what I ſay is this, that I don't diſpute that that box that you hold in your hands is a box; nay, for aught I know, it may be a tobacco-box—but its clear to me, that if they left the box they did not take the money—and how do you dare, ſir, to come before Juſtice [71]Headſtrong with a lie in your mouth?—recollect yourſelf, I'll give you time to recollect yourſelf.

(A Pauſe.)
Juſt.

Well, ſir, and what do you ſay now about the box?

Old M.

Pleaſe your worſhip, with ſubmiſſion, I can ſay nothing but what I ſaid before.

Juſt.

What, contradict me again!—after I gave ye time to recollect yourſelf—I've done with ye, I have done—contradict me as often as you pleaſe, but you cannot impoſe upon me; I defy you to impoſe upon me!

Old M.

Impoſe!

Juſt.

I know the law—I know the law!—and I'll make you know it too—one hour I give you to recollect yourſelf, and if you don't give up this idle ſtory—I'll—I'll commit you as a [72]vagrant—that's poz!—go, go for the preſent. William, take him into the ſervant's hall, do you hear?—What, take the money, and leave the box—I'll never believe it, that's poz!

(Lucy ſpeaks to the old Man as he is going off.)
Lucy.

Don't be frightened! don't be frightened—I mean, if you tell the truth, never be frightened.

Old M.

If I tell the truth—(turning up his eyes.)

Old Man is ſtill held back by
Lucy.

One moment—anſwer me one queſtion—becauſe of ſomething that juſt came into my head—was the box ſhut faſt when you left it?

Old M.

No, miſs, no!—open—it was open, for I could not find the lid in the dark—my candle went out—if I tell the truth—oh!—

SCENE.

[73]
JUSTICE'S Study—the JUSTICE is writing.
Old M.

Well!—I ſhall have but few days more miſery in this world!

Juſt.
(looks up.)

Why! why—why then, why will you be ſo poſitive to perſiſt in a lie? Take the money and leave the box! obſtinate blockhead! Here, William (ſhewing the committal), take this old gentleman to Holdfaſt, the conſtable, and give him this warrant.

Enter LUCY, running, out of breath.

I've found it! I've found it! I've found it! Here, old man; here's [74]your money—here it is all—a guinea and a half, and a ſhilling and ſixpence, juſt as he ſaid, papa.

Enter LANDLADY.

Oh la! your worſhip, did your ever hear the like?

Juſt.

I've heard nothing yet that I can underſtand. Firſt, have you ſecured the thief, I ſay?

Lucy.
(makes a ſign to the Landlady to be ſilent.)

Yes, yes, yes! we have him ſafe—we have him priſoner.—Shall he come in, papa?

Juſt.

Yes, child, by all means; and now I ſhall hear what poſſeſſed him to leave the box—I don't underſtand—there's ſomething deep in all this; I don't underſtand it. Now I do deſire, Mrs. Landlady, nobody may ſpeak a [75]ſingle word whilſt I am croſs-examining the thief.

(Landlady puts her finger upon her lips—Every body looks eagerly towards the door.)
Re-enter LUCY, with a huge wicker cage in her hand, containing a magpye—the Juſtice drops the committal out of his hand.
Juſt.

Hey!—what! Mrs. Landlady! the old magpye! hey!

Land.

Aye, your worſhip, my old magype—who'd have thought it.—Miſs was very clever, it was ſhe caught the thief: Miſs was very clever.

Old M.

Very good! very good!

Juſt.

Aye, darling! her father's own child! How was it, child!—caught the thief with the mainour, hey! [76]tell us all—I will hear all—that's poz!

Lucy.

Oh then, firſt I muſt tell you how I came to ſuſpect Mr. Magype.—Do you remember papa, that day laſt ſummer, that I went with you to the bowling-green, at the Saracen's Head?

Land.

Oh, of all days in the year—but I aſk pardon Miſs.

Lucy.

Well, that day I heard my uncle and another gentleman telling ſtories of magpies hiding money; and they laid a wager about this old magpye—and they tried him—they put a ſhilling upon the table, and he ran away with it, and hid it—ſo I thought that he might do ſo again, you know, this time.

Juſt.

Right, right, its a pity, child, you are not upon the bench; ha! ha! ha!

Lucy.
[77]

And when I went to his old hiding place—there it was—but you ſee, papa, he did not take the box.

Juſt.

No, no, no! becauſe the thief was a magpye—no man would have taken the money, and left the box. You ſee I was right—no man would have left the box, hey?

Lucy.

Certainly not, I ſuppoſe—but I'm ſo very glad, old man, that you have got your money.

Juſt.

Well then, child, here, take my purſe, and add that to it. We were a little too haſty with the committal—hey?

Land.

Aye, and I fear I was ſo too; but when one is touched about the credit of one's houſe, one's apt to ſpeak warmly.

Old M.

Oh I'm the happieſt man alive! You are all convinced I told you no lies—ſay no more—ſay no [78]more—I am the happieſt man! Miſs, you have made me the happieſt old man alive!—God bleſs you for it!

Land.

Well now, I'll tell you what—I know what I think—you muſt keep that there magpye and make a ſhow of him, and I warrant he'll bring you many an honeſt penny—for its a true ſtory, and folks will like to hear it, I hopes—

Juſt.
(eagerly.)

And friend, do you hear, you'll dine here to-day?—You'll dine here—we have ſome excellent ale—I will have you drink my health, that's poz!—hey, you'll drink my health, won't you, hey?

Old M.
(bows.)

Oh—and the young lady's, if you pleaſe.

Juſt.

Aye, aye, drink her health—ſhe deſerves it—aye, drink my darling's health.

Land.
[79]

And pleaſe your worſhip, its the right time, I believe, to ſpeak of the gooſe-pye now—and a charming pye it is, and its on the table.

Will.

And Mr. Smack, the curate, and Squire Solid, and the Doctor, ſir, are come, and dinner is upon the table.

Juſt.

Then let us ſay no more—but do juſtice immediately to the gooſepye—and, darling, put me in mind to tell this ſtory after dinner—

(After they go out, the Juſtice ſtops.)

"Tell this ſtory"—I don't know whether it tells well for me—but I'll never be poſitive any more—that's poz.

THE MIMIC.

[81]

MR. and MRS. MONTAGUE ſpent the ſummer of the year 1795 at Clifton, with their ſon Frederick, and their two daughters, Sophia and Marianne—They had taken much care of the education of their children, nor were they ever tempted by any motive of perſonal convenience, or temporary amuſement, to hazard the permanent happineſs of their pupils.

Senſible of the extreme importance of early impreſſions, and of the powerful [82]influence of external circumſtances in forming the character, and the manners, they were now anxious that the variety of new ideas, and new objects, which would ſtrike the minds of their children, ſhould appear in a juſt point of view.

"Let children ſee, and judge for themſelves," is often inconſiderately ſaid.—Where children ſee only a "part," they cannot judge of the "whole"—and from the ſuperficial view which they can have in ſhort viſits, and deſultory converſation, they can form only a falſe eſtimate of the objects of human happineſs, a falſe notion of the nature of ſociety, and falſe opinions of characters.—For theſe reaſons Mr. and Mrs. Montague were particularly cautious in the choice of their acquaintance, as they were well aware, that whatever paſſed in converſation [83]before their children, became part of their education.—When they came to Clifton, they wiſhed to have had a houſe entirely to themſelves, but as they came late in the ſeaſon, almoſt all the lodging houſes were full, and for a few weeks they were obliged to remain in a houſe in which ſome of the apartments were already occupied.

During the firſt fortnight, they ſcarcely ſaw or heard any thing of one of the families, who lodged on the ſame floor with them.—An elderly Quaker, and his ſiſter Birtha, were their ſilent neighbours.—The blooming complexion of the lady, had indeed attracted the attention of the children, as they caught a glimpſe of her face when ſhe was getting into her carriage to go out upon the Downs.—They could [84]ſcarcely believe that ſhe came to the Wells on account of her health.—Beſides her blooming complexion, the delicate white of her garments had ſtruck them with admiration, and they obſerved that her brother carefully guarded theſe from the wheel of the carriage as he handed her in.—From this circumſtance, and from the benevolent countenance of the old gentleman, they concluded, that he was very fond of his ſiſter—that they were certainly very happy, only they never ſpoke, and could be ſeen but for a moment.

Not ſo the maiden lady who occupied the ground floor.—On the ſtairs, in the paſſages, at her window, ſhe was continually viſible, and ſhe ſeemed to poſſeſs the art of being preſent in all theſe places at once.—Her voice was eternally to be heard, and it was [85]not particularly melodious. The very firſt day ſhe met Mrs. Montague's children on the ſtairs, ſhe ſtopped to tell Marianne, that ſhe was a charming dear! and a charming little dear! to kiſs her, to enquire her name, and to inform her that her own name was "Mrs. Thereſa Tattle;" a circumſtance of which there was little danger of their long remaining in ignorance, for in the courſe of one morning at leaſt twenty ſingle, and as many double raps at the door, were ſucceeded by vociferations of "Mrs. Thereſa's Tattle's ſervant!"—"Mrs. Thereſa Tattle at home?"—"Mrs. Thereſa Tattle not at home."

No perſon at the Wells was oftener at home and abroad than Mrs. Tattle; ſhe had, as ſhe deemed it, the happineſs to have a moſt extenſive acquaintance reſiding at Clifton—ſhe [86]had for years kept a regiſter of arrivals. She regularly conſulted the ſubſcriptions to the circulating libraries, and the liſts at the Ball and the Pump-Rooms; ſo, that with a memory unincumbered with literature, and free from all domeſtic cares, ſhe contrived to retain a moſt aſtoniſhing and correct liſt of births, deaths, and marriages, together with all the anecdotes, amuſing, inſtructive, or ſcandalous, which are neceſſary to the converſation of a water-drinking place, and eſſential to the character of a "very pleaſant woman."

"A very pleaſant woman," Mrs. Tattle was uſually called, and conſcious of her accompliſhments, ſhe was eager to introduce herſelf to the acquaintance of her new neighbours; having, with her ordinary expedition, [87]collected from their ſervants, by means of her own, all that could be known, or rather all that could be told, about them. The name of Montague, at all events, ſhe knew was a good name, and juſtified her courting this acquaintance. She courted it firſt by nods, and becks, and ſmiles, at Marianne, whenever ſhe met her; and Marianne, who was a very little girl, began preſently to nod and ſmile in return; perſuaded, that a lady who ſmiled ſo much, could not be ill-natured. Beſides, Mrs. Thereſa's parlour door was ſometimes left more than half open, to afford a view of a green parrot. Marianne ſometimes paſſed very ſlowly by this door. One morning it was left quite wide open, ſhe ſtopped to ſay "Pretty Poll," and immediately Mrs. Tattle begged [88]ſhe would do her the honour to walk in and ſee "Pretty Poll;" at the ſame time taking the liberty to offer her a piece of iced plumb cake.

The next day Mrs. Thereſa Tattle did herſelf the honour to wait upon Mrs. Montague, "to apologiſe for the liberty ſhe had taken, in inviting Mrs. Montague's charming Miſs Marianne into her apartment to ſee "Pretty Poll;" and for the ſtill greater liberty ſhe had taken in offering her a piece of plumb cake, inconſiderate creature that ſhe was! which might poſſibly have diſagreed with her, and which certainly were liberties ſhe never ſhould have been induced to take, if ſhe had not been unaccountably bewitched by Miſs Marianne's ſtriking, though highly flattering reſemblance, to a young gentleman, an officer, with whom [89]ſhe had danced; ſhe was ſorry to ſay, now nearly twelve years ago, at the races in—ſhire, of the name of Montague, a moſt reſpectable young man, and of a moſt reſpectable family, with which, in a remote degree, ſhe might preſume to ſay, ſhe herſelf was ſomeway connected, having the honour to be nearly related to the Jones's of Merionethſhire, who were couſins to the Manwairings, of Bedfordſhire, who married into the family of the Griffiths's, the eldeſt branch of which ſhe underſtood had the honour to be couſin german to Mr. Montague, on which account ſhe had been impatient to pay a viſit ſo likely to be productive of moſt agreeable conſequences, in the acquiſition of an acquaintance, whoſe ſociety muſt do her infinite honour."

[90] Having thus happily accompliſhed her firſt viſit, there ſeemed little probability of eſcaping Mrs. Tattle's farther acquaintance. In the courſe of the firſt week, ſhe only hinted to Mr. Montague, that "ſome people thought his ſyſtem of education rather odd, that ſhe ſhould be obliged to him if he would, ſome time or other, when he had nothing elſe to do, juſt ſit down and make her underſtand his notions, that ſhe might have ſomething to ſay to her acquaintance, as ſhe always wiſhed to have when ſhe heard any friend attacked, or any friend's opinions."

Mr. Montague declining to ſit down and make this lady underſtand a ſyſtem of education only to give her ſomething to ſay, and ſhewing unaccountable indifference about the [91]attacks with which he was threatened, Mrs. Tattle next addreſſed herſelf to Mrs. Montague, prophecying, in a moſt ſerious whiſper, "that the charming Miſs Marianne would ſhortly and inevitably grow quite crooked, if ſhe were not immediately provided with a backboard, a French dancing-maſter, and a pair of ſtocks." This alarming whiſper could not, however, have a permanent effect upon Mrs. Montague's underſtanding, becauſe, three days afterwards, Mrs. Thereſa, upon the moſt anxious inſpection, miſtook the hip and ſhoulder which ſhould have been the higheſt. This danger vaniſhing, Mrs. Tattle preſently, with a rueful length of face, and formal preface, "heſitated to aſſure Mrs. Montague, that ſhe was greatly diſtreſſed about her daughter [92]Sophy; that ſhe was convinced her lungs were affected; and that ſhe certainly ought to drink the waters morning and evening; and above all things, muſt keep one of the Patiroſſa lozenges conſtantly in her mouth, and directly conſult Dr. Cardimum, the beſt phyſician in the world, and the perſon ſhe would ſend for herſelf upon her death bed; becauſe, to her certain knowledge, he had recovered a young lady, a relation of her own, after ſhe had loſt one whole globe of her lungs."

The medical opinion of a lady of ſo much anatomical preciſion, could not have much weight; nor was this univerſal adviſer more ſucceſsful in an attempt to introduce a tutor to Frederick, who, "ſhe apprehended, muſt want one to perfect him in the Latin and Greek, and dead languages, [93]of which ſhe obſerved it would be impertinent for a woman to talk, only ſhe might venture to repeat what ſhe had heard ſaid by good authority, that a competency of the dead tongues could be had no where but at a public ſchool, or elſe from a private tutor, who had been abroad (after the advantages of a claſſical education, finiſhed in one of the Univerſities) with a good family, without which introduction, it was idle to think of reaping ſolid advantages from any continental tour; all which requiſites ſhe could, from perſonal knowledge, aver concentrated in the gentleman ſhe had the honour to recommend, as having been tutor to a young nobleman, who had now no farther occaſion for him, being, [94]unfortunately, for himſelf and his family, killed in an untimely duel.

All her ſuggeſtions being loſt upon theſe unthinking parents, Mrs. Thereſa Tattle's powers were next tried upon the children, and preſently her ſucceſs was apparent. On Sophy, indeed, ſhe could not make any impreſſion, though ſhe had expended on her ſome of her fineſt ſtrokes of flattery-Sophy, though very deſirous of the approbation of her friends, was not very ſolicitous to win the favour of ſtrangers. She was about thirteen, that dangerous age at which ill educated girls, in their anxiety to diſplay their accompliſhments, are apt to become dependent for applauſe upon the praiſe of every idle viſitor; when the habits not being formed, and the aftention being ſuddenly turned to dreſs and manners, girls are [95]apt to affect and imitate, indiſcriminately, every thing that they fancy to be agreeable.

Sophy, whoſe taſte had been cultivated at the ſame time with her powers of reaſoning, was not liable to fall into theſe errors; ſhe found that ſhe could pleaſe thoſe whom ſhe wiſhed to pleaſe, without affecting to be any thing but what ſhe really was; and her friends liſtened to what ſhe ſaid, though ſhe never repeated the ſentiments, or adopted the phraſes, which ſhe might eaſily have caught from the converſation of thoſe who were older, or more faſhionable than herſelf. This word faſhionable, Mrs. Thereſa Tattle knew had uſually a great effect even at thirteen, but ſhe had not obſerved that it had much power upon Sophy; nor were her documents concerning grace and [96]manners, much attended to. Her mother had taught Sophy, that it was beſt to let herſelf alone, and not to diſtort either her perſon or her mind, in acquiring grimace, which nothing but the faſhion of the moment can ſupport, and which is always detected and deſpiſed by people of real good ſenſe and politeneſs.

"Bleſs me!" ſaid Mrs. Tattle to herſelf, "if I had ſuch a tall daughter, and ſo unformed, before my eyes from morning to night, it would certainly break my poor heart. Thank God I am not a mother! Miſs Marianne for me, if I was!"

Miſs Marianne had heard ſo often from Mrs. Tattle that ſhe was charming, that ſhe could not help believing it; and from being a very pleaſing, unaffected little girl, ſhe in a ſhort [97]time grew ſo conceited, that ſhe could neither ſpeak, look, move, or be ſilent, without imagining that every body was, or ought to be, looking at her; and when Mrs. Thereſa ſaw that Mrs. Montague looked very grave upon theſe occaſions, ſhe, to repair the ill ſhe had done, would ſay, after praiſing Marianne's hair or her eyes, "Oh, but little ladies ſhould never think about their beauty you know; nobody loves any body you know for being handſome, but for being good." People muſt think children are very ſilly, or elſe they can never have reflected upon the nature of belief in their own minds, if they imagine that children will believe the words that are ſaid to them by way of moral, when the countenance, manner, and every concomitant circumſtance tell them a different [98]tale. Children are excellent phyſiognomiſts, they quickly learn the univerſal language of looks, and what is ſaid of them always makes a greater impreſſion than what is ſaid to them; a truth of which thoſe prudent people ſurely cannot be aware, who comfort themſelves and apologize to parents by ſaying, "O but I would not ſay ſo and ſo to the child."

Mrs. Thereſa had ſeldom ſaid to Frederick Montague, "that he had a vaſt deal of drollery, and was a moſt incomparable Mimic;" but ſhe had ſaid ſo of him in whiſpers, which magnified the ſound to his imagination, if not to his ear. He was a boy of much vivacity, and had conſiderable abilities; but his appetite for vulgar praiſe had not yet been ſurfeited; even Mrs. Thereſa [99]Tattle's flattery pleaſed him, and he exerted himſelf for her entertainment ſo much, that he became quite a buffoon. Inſtead of obſerving characters and manners, that he might judge of them and form his own, he now watched every perſon he ſaw, that he might detect ſome foible, or catch ſome ſingularity in their geſture or pronunciation, which he might ſucceſsfully mimic.

Alarmed by the rapid progreſs of theſe evils, Mr. and Mrs. Montague, who, from the firſt day that they had been honoured with Mrs. Tattle's viſit, had begun to look out for new lodgings, were now extremely impatient to decamp. They were not people who, from the weak fear of offending a ſilly acquaintance, would hazard the happineſs of their family. [100]They had heard of a houſe in the country which was likely to ſuit them, and they determined to go directly to look at it. As they were to be abſent all day, they foreſaw their officious neighbour would probably interfere with their children. They did not chooſe to exact any promiſe from them which they might be tempted to break, and therefore they only ſaid at parting, "If Mrs. Thereſa Tattle ſhould aſk you to come to her, do as you think proper."

Scarcely had Mrs. Montague's carriage gone out of hearing, when a note was brought directed to "Frederick Montague, Eſq junior," which he immediately opened, and read as follows:

"Mrs. Thereſa Tattle preſents her very beſt compliments to the entertaining Mr. Frederick Montague; ſhe [101]hopes he will have the charity to drink tea with her this evening, and bring his charming ſiſter Marianne with him, as Mrs. Thereſa will be quite alone, with a ſhocking headach, and is ſenſible her nerves are affected; and Dr. Cardimum ſays, that (eſpecially in Mrs. T. T's. caſe) it is downright death to nervous patients to be alone an inſtant; ſhe therefore truſts Mr. Frederick will not refuſe to come and make her laugh.

"Mrs. Thereſa has taken care to provide a few macaroons for her little favourite, who ſaid ſhe was particularly fond of them the other day.

"Mrs. Thereſa hopes they will all come at ſix, or before; not forgetting Miſs Sophy, if ſhe will condeſcend to be of the party."

[102] At the firſt reading of this note, "the entertaining" Mr. Frederick, and the charming Miſs Marianne, laughed heartily, and looked at Sophy as if they were afraid that ſhe ſhould think it poſſible they could like ſuch groſs flattery; but upon a ſecond peruſal Marianne obſerved, that it certainly was good-natured of Mrs. Thereſa to remember the macaroons; and Frederick allowed, that it was wrong to laugh at the poor woman becauſe ſhe had the head-ach. Then twiſting the note in his fingers, he appealed to Sophy: "Well, Sophy, leave off drawing for an inſtant, and tell us what anſwer can we ſend?" "Can! we can ſend what anſwer we pleaſe." "Yes, I know that," ſaid Frederick; "I would refuſe if I could, but we ought [103]not to do any thing rude, ſhould we? ſo I think we might as well go." "Hey! becauſe we could not refuſe if we would, I ſay."

"You have made ſuch confuſion, replied Sophy, between "could n't," and "would n't," and "ſhould n't," that I can't underſtand you; ſurely they are all different things."

"Different! no," cried Frederick, "could, would, ſhould, might, or ought," are all the ſame thing in the Latin grammar; all of 'em ſigns of the potential mood, you know."

Sophy, whoſe powers of reaſoning were not to be confounded even by quotations from the Latin grammar, looked up ſoberly from her drawing, and anſwered, "That very likely thoſe words might be ſigns of the ſame thing in the Latin grammar, [104]but that ſhe believed they meant perfectly different things in real life."

"That's juſt as people pleaſe," ſaid her ſophiſtical brother, "you know words mean nothing in themſelves. If I choſe to call my hat my cadwallader, you would underſtand me juſt as well, after I had once explained it to you, that by cadwallader I meant this black thing that I put upon my head; cadwallader and that would then be juſt the ſame thing to you."

"Then why have two words for the ſame thing?" ſaid Sophy; "and what has this to do with could and ſhould? You wanted to prove"—

"I wanted to prove," interrupted Frederick, "that it's not worth while to diſpute for two hours about two [105]words. Do keep to the point, Sophy, and don't diſpute with me."

"I was not diſputing, I was reaſoning."

"Well, reaſoning or diſputing. Women have no buſineſs to do either, for how ſhould they know how to chop logic like men."

At this contemptuous ſarcaſm upon her ſex, Sophy's colour roſe. "There!" cried Frederick, exulting, "Now we ſhall ſee a philoſophereſs in a paſſion. I'd give ſixpence, half price for a harlequin entertainment, to ſee Sophy in a paſſion. Now Marianne, look at her bruſh dabbling ſo faſt in the water!"

Sophy, who could not eaſily bear to be laughed at, with ſome little indignation, ſaid, "Brother, I wiſh," —"There! There!" cried Frederick, [106]pointing to the colour which roſe in her cheek almoſt to her temples; "Riſing! Riſing! Riſing! Look at the thermometer. Blood heat! Blood! Fever heat! Boiling water heat! Marianne."

"Then," ſaid Sophy, ſmiling, "you ſhould ſtand a little farther off, both of you; leave the thermometer to itſelf for a little while; give it time to cool. It will come down to temperate by the time you look again."

"Oh, brother," cried Marianne, "ſhe's ſo good humour'd, don't teize her any more; and don't draw heads upon her paper; and don't ſtretch her rubber out; and don't let us dirty any more of her bruſhes: See! the ſides of her tumbler are all manner of colours."

[107] "Oh, I only mixed red, blue, green, and yellow, to ſhew you, Marianne, that all colours mixed together make white. But ſhe is temperate now, and I won't plague her; ſhe ſhall chop logic if ſhe likes it, though ſhe is a woman."

"But that's not fair, brother," ſaid Marianne, to ſay woman in that way. I'm ſure Sophy found out how to tie that difficult knot which papa ſhewed to us yeſterday, long before you did, though you are a man." "Not long," ſaid Frederick; "beſides, that was only a conjuring trick."

"It was very ingenious, though," ſaid Marianne, "and papa ſaid ſo; and beſides, ſhe underſtood the rule of three, which was no conjuring trick, better than you did, though, [108]ſhe is a woman; and ſhe may reaſon too, mamma ſays."

"Very well, let her reaſon away," ſaid the provoking wit; "all I have to ſay is, ſhe'll never be able to make a pudding." "Why not, pray brother," enquired Sophy, looking up again very gravely. "Why, you know papa himſelf the other day at dinner, ſaid, that that woman who talks Greek and Latin as well as I do, is a fool after all; and that ſhe had better have learned ſomething uſeful; and Mrs. Tattle ſaid ſhe'd anſwer for it ſhe did not know, how to make a pudding."

"Well, but I am not talking Greek and Latin, am I?"

"No; but you are drawing, and that's the ſame thing."

[109] "The ſame thing! O Frederick," ſaid little Marianne, laughing.

"You may laugh, but I ſay it is the ſame ſort of thing. Women that are always drawing, and reaſoning, never know how to make puddings; Mrs. Thereſa Tattle ſaid ſo when I ſhewed her Sophy's beautiful drawing yeſterday."

"Mrs. Thereſa Tattle might ſay ſo," replied Sophy, calmly, "but I do not perceive the reaſon, brother, why drawing ſhould prevent me from learning how to make a pudding."

"Well, I ſay you'll never learn to make a good pudding."

"I have learned," continued Sophy, who was mixing her colours, "to mix ſuch and ſuch colours together to make the colour that I want, and why [110]ſhould I not be able to learn to mix flour and butter, and ſugar and egg together, to make the taſte that I want?"

"Oh, but mixing will never do, unleſs you know the quantities, like a cook; and you would never learn the right quantities."

"How did the cook learn them, cannot I learn them as ſhe did?"

"Yes, but you'd never do it exactly, and mind the ſpoonfuls rightly, by the receipt, like a cook, exactly."

"Indeed! indeed but ſhe would," cried Marianne eagerly, "and a great deal more exactly, for Mamma has taught her to weigh and meaſure things very carefully; and when I was ill, ſhe always weighed my bark ſo nicely, and dropped my drops [111]ſo carefully; not like the cook. When Mamma took me down to ſee her make a cake once, I ſaw her ſpoonfuls, and her ounces, and her handfuls; ſhe daſhed and ſplaſhed without minding exactneſs, or the receipt, or any thing. I'm ſure Sophy would make a much better pudding, if exactneſs only is wanting."

"Well, granting that ſhe could make the beſt pudding in the whole world, what does that ſignify? I ſay ſhe never would, ſo it comes to the ſame thing."

"Never would! how can you tell that, brother?"

"Never would! how can you tell that, brother?"

"Why now look at her, with her books, and her drawings, and all this apparatus; do you think ſhe would ever jump up, [112]with all her nicety too, and put bye all theſe things, to go down into the greaſy kitchen, and plump up to the elbows in ſuet, like a cook, for a plumb pudding?"

"I need not plump up to the elbows, brother," ſaid Sophy, ſmiling, "nor is it neceſſary that I ſhould be a cook; but if it were neceſſary, I hope I ſhould be able to make a pudding."

"Yes, yes, yes," cried Marianne, warmly, "that ſhe would, jump up and put by all her things in a minute, if it was neceſſary, and run down ſtairs and up again like lightning, or do any thing that was ever ſo diſagreeable to her, even about the ſuet, with all the nicety, brother, I aſſure you, as ſhe uſed to do any thing; every thing for me when I was ill laſt Winter. [113]Oh, brother, ſhe can do any thing! and ſhe could make the beſt plumb pudding in the whole world, I'm ſure, in a minute, if it was neceſſary."

THE MIMIC.
PART II.

[115]

A KNOCK at the door from Mrs. Thereſa Tattle's ſervant, recalled Marianne to the buſineſs of the day.

"There," ſaid Frederick, "we have ſent no anſwer all this time. It's neceſſary to think of that in a minute."

The ſervant came with his miſtreſs's compliments, to let the young ladies and Mr. Frederick know that ſhe was waiting tea for them.

[116] "Waiting! then we muſt go," ſaid Frederick.

The ſervant opened the door wider to let him paſs, and Marianne thought ſhe muſt follow her brother, ſo they went down ſtairs together, whilſt Sophy gave her own meſſage to the ſervant, and quietly ſtaid at her uſual occupations.

Mrs. Tattle was ſeated at her teatable, with a large plate of macaroons beſide her, when Frederick and Marianne entered. She was "delighted" they were come, and "grieved" not to ſee Miſs Sophy along with them. Marianne coloured a little, for though ſhe had precipitately followed her brother, and though he had quieted her conſcience for a moment, by ſaying, "You know Papa and Mamma told us to do what we thought beſt;" [117]yet ſhe did not feel quite pleaſed with herſelf; and it was not till after Mrs. Thereſa had exhauſted all her compliments, and half her macaroons, that ſhe could reſtore her ſpirits to their uſual height.

"Come, Mr. Frederick," ſaid ſhe, after tea, "you promiſed to make me laugh; and nobody can make me laugh ſo well as yourſelf."

"Oh, brother," ſaid Marianne, "ſhew Mrs. Thereſa Dr. Carbuncle eating his dinner, and I'll be Mrs. Carbuncle."

Marianne.

Now, my dear, what ſhall I help you to?

Frederick.

My dear! ſhe never calls him my dear, you know, but always doctor.

Mar.

Well then, Doctor, what will you eat to-day?

Fred.
[118]

Eat, Madam! Eat! Nothing! Nothing! I don't ſee any thing here that I can eat, ma'am.

Mar.

Here's eels, ſir; let me help you to ſome eel, ſtewed eel, ſir, you uſed to be fond of ſtewed eel.

Fred.

Uſed, ma'am, uſed! But I'm ſick of ſtewed eels. You would tire one of any thing. Am I to ſee nothing but eels? And what's this at the bottom?

Mar.

Mutton, doctor, roaſt mutton, if you'll be ſo good as to cut it.

Fred.

Cut it, Ma'am! I can't cut it, I ſay. It's as hard as a deal board. You might as well tell me to cut the table, ma'am. Mutton, indeed! not a bit of fat. Roaſt mutton, indeed! not a drop of gravy. Mutton, truly! quite a cinder. I'll have none of it. Here, take it away; take it down [119]ſtairs to the cook. It's a very hard caſe, Mrs. Carbuncle, that I can never have a bit of any thing that I can eat at my own table, Mrs. Carbuncle, ſince I was married, ma'am. I that am the eaſieſt man in the whole world to pleaſe about my dinner. It's really very extraordinary, Mrs. Carbuncle! What have you got at that corner there, under the cover?

Mar.

Patties, ſir; oyſter patties.

Fred.

Patties, ma'am! kickſhaws! I hate kickſhaws. Not worth putting under a cover, ma'am. And why have not you glaſs covers, that one may ſee one's dinner before one, before it grows cold with aſking queſtions, Mrs. Carbuncle, and lifting up covers? But nobody has any ſenſe; and I ſee no water-plates any where lately.

Mar.
[120]

Do pray, doctor, let me help you to a bit of this chicken before it gets cold, my dear.

Fred.
(aſide.)

"My dear" again, Marianne!

Mar.

Yes, brother, becauſe ſhe is frightened you know, and Mrs. Carbuncle always ſays "my dear" to him when ſhe's frightened; and looks ſo pale from ſide to ſide; and ſometimes ſhe cries before dinner's done; and then all the company are quite ſilent, and don't know what to do.

"Oh, ſuch a little creature! to have ſo much ſenſe too!" exclaimed Mrs. Thereſa, with rapture, "Mr. Frederick you'll make me die with laughing! Pray go on, doctor Carbuncle."

Fred.

Well, ma'am, then if I muſt eat ſomething, ſend me a bit of fowl; a leg and wing, the liver-wing, and a [121]bit of the breaſt; oyſter ſauce, and a ſlice of that ham, if you pleaſe, ma'am.

Doctor Carbuncle eats voraciouſly, with his head down to his plate, and dropping the ſauce, he buttons up his coat tight acroſs the breaſt.
Fred.

Here—A plate, knife and fork, bit o'bread, a glaſs of Dorcheſter ale!

"Oh, admirable!" exclaimed Mrs. Tattle, clapping her hands.

"Now brother, ſuppoſe that it is after dinner," ſaid Marianne, "and ſhew us how the doctor goes to ſleep."

Frederick threw himſelf back in an arm chair, leaning his head back, with his mouth open, ſnoring; nodded from time to time; croſſed and uncroſſed his legs; tried to waken himſelf by twitching his wig, ſettling [122]his collar, blowing his noſe, and wrapping on the lid of his ſnuffbox.

All which infinitely diverted Mrs. Tattle; who, when ſhe could ſtop herſelf from laughing, "declared it made her ſigh too, to think of the life poor Mrs. Carbuncle led with that man, and all for nothing too; for her jointure was nothing, next to nothing, though a great thing to be ſure her friends thought for her, when ſhe was only Sally Ridgeway, before ſhe was married. Such a wife as ſhe makes! continued Mrs. Thereſa, lifting up her hands and eyes to Heaven, and ſo much as ſhe has gone through, the brute ought to be aſhamed of himſelf if he does not leave her ſomething extraordinary in his will; for, turn it which way ſhe will, ſhe can never keep a carriage, or live like [123]any body elſe, on her jointure, after all. She tells me, poor ſoul! a ſad proſpect after her huſband's death, to look forward to, inſtead of being comfortable, as her friends expected; and ſhe, poor young thing, knowing no better when they married her. People ſhould look into theſe things before hand, or never marry at all, I ſay, Miſs Marianne."

Miſs Marianne, who did not clearly comprehend this affair of the jointure, or the reaſon why Mrs. Carbuncle would be ſo unhappy after her huſband's death, turned to Frederick, who was at that inſtant ſtudying Mrs. Thereſa as a future character to mimic, "Brother," ſaid Marianne, "now ſing an Italian ſong for us, like Miſs Croker. Pray, Miſs Croker, favour us with a ſong. Mrs. Thereſa Tattle has never had the pleaſure of hearing [124]you ſing; ſhe's quite impatient to hear you ſing."

"Yes, indeed I am," ſaid Mrs. Thereſa.

Frederick put his hands before him affectedly; "Oh, indeed ma'am! indeed ladies! I really am ſo hoarſe; it diſtreſſes me ſo to be preſſed to ſing; beſides, upon my word, I have quite left off ſinging. I've never ſung once, except for very particular people, this winter."

Mar.

But Mrs. Thereſa Tattle is a very particular perſon, I'm ſure you'll ſing for her.

Fred.

Certainly, Ma'am, I allow you uſe a powerful argument; but I aſſure you now I would do my beſt to oblige you, but I abſolutely have forgotten all my Engliſh ſongs. Nobody hears any thing but Italian now, and I have been ſo giddy as to leave [125]my Italian muſic behind me. Beſides, I make it a rule never to hazard myſelf without an accompanyment.

Mar.

Oh, try, Miſs Croker, for once.

[Frederick ſings, after much preluding.]
Violante, in the pantry,
Gnawing of a mutton bone:
How ſhe gnawed it,
How ſhe clawed it,
When ſhe found herſelf alone.

"Charming!" exclaimed Mrs. Tattle; "ſo like Miſs Croker, I'm ſure I ſhall think of you, Mr. Frederick, when I hear her aſked to ſing again. Her voice, however, introduces her to very pleaſant parties, and ſhe's a girl that's very much taken notice of, and I don't doubt will go off vaſtly well. She's a particular [126]favourite of mine, you muſt know; and I mean to do her a piece of ſervice the firſt opportunity, by ſaying ſomething or other that ſhall go round to her relations in Northumberland, and make them do ſomething for her; as well they may, for they are all rolling in gold, and won't give her a penny."

Mar.

Now, brother, read the newſpaper like counſellor Puff.

"Oh, pray do, Mr. Frederick, for I declare I admire you of all things! you are quite yourſelf to-night. Here's a newſpaper, ſir. Pray let us have counſellor Puff. It's not late."

[Frederick reads in a pompous voice.]

"As a delicate white hand has ever been deemed a diſtinguiſhing ornament in either ſex, Meſſrs. Valiant and Wiſe, conceive it to be their duty to take the earlieſt opportunity [127]to advertiſe the nobility and gentry of Great-Britain in general, and their friends in particular, that they have now ready for ſale, as uſual, at the Hippocrates's Head, a freſh aſſortment of the new-invented, much admired Primroſe Soap.—To prevent impoſitions and counterfeits, the public are requeſted to take notice, that the only genuine Primroſe Soap is ſtamped on the outſide, "Valiant and Wiſe."

"Oh, you moſt incomparable Mimic! 'tis abſolutely the counſellor himſelf. I abſolutely muſt ſhew you, ſome day, to my friend lady Baterſby; you'd abſolutely make her die with laughing; and ſhe'd quite adore you," ſaid Mrs. Thereſa, who was well aware that every pauſe muſt be filled with flattery. "Pray go on, pray go on, I ſhall never be tired if [128]I were to ſit looking at you theſe hundred years."

Stimulated by theſe plaudits, Frederick proceeded to ſhow how colonel Epaulette blew his noſe, flouriſhed his cambric handkerchief, bowed to lady Di Periwinkle, and admired her work, ſaying, "Done by no hands, as you may gueſs, but thoſe of Fairly Fair." Whilſt lady Di, he obſerved, ſimpered ſo prettily, and took herſelf ſo quietly for Fairly Fair, not perceiving that the colonel was admiring his own nails all the while.

Next to colonel Epaulette, Frederick, at Marianne's particular deſire, came into the room like Sir Charles Slang.

"Very well, brother," cried ſhe, "your hand down to the very bottom of your pocket, and your other [129]ſhoulder up to your ear; but you are not quite wooden enough; and you ſhould walk as if your hip was out of joint. There now, Mrs. Tattle, are not thoſe good eyes; they ſtare ſo like his, without ſeeming to ſee any thing all the while."

"Excellent! admirable! Mr. Frederick, I muſt ſay you are the beſt Mimic of your age I ever ſaw, and I'm ſure lady Batterſby will think ſo too. That is Sir Charles to the very life. But with all that, you muſt know he's a mighty pleaſant, faſhionable young man, when you come to know him, and has a great deal of ſenſe under all that, and is of a very good family. The Slangs, you know: Sir Charles, will come into a fine fortune himſelf next year, if he can keep clear of gambling, which I hear is his foible, poor young man. Pray go [130]on, I interrupt you, Mr. Frederick."

"Now brother," ſaid Marianne.

"No, Marianne, I can do no more, I'm quite tired, and I will do no more," ſaid Frederick, ſtretching himſelf at full length upon a ſofa.

Even in the midſt of laughter, and whilſt the voice of flattery yet ſounded in his ear, Frederick felt ſad; diſpleaſed with himſelf, and diſguſted with Mrs. Thereſa.

"What a deep ſigh was there!" ſaid Mrs. Thereſa, "what can make you ſigh ſo bitterly? you, who make every body elſe laugh. Oh, ſuch another ſigh again!"

"Marianne," cried Frederick, "do you remember the man in the maſk?"

[131] "What man in the maſk, brother?"

"The man—the actor—the buffoon, that my father told us of, who uſed to cry behind the maſk, that made every body elſe laugh."

"Cry! Bleſs me," ſaid Mrs. Thereſa, "mighty odd! very extraordinary! but one can't be ſurpriſed at meeting with extraordinary characters amongſt that race of people. Actors, by profeſſion you know, who are brought up from the egg to make their fortune, or at leaſt their bread by their oddities. But, my dear Mr. Frederick, you are quite pale, quite exhauſted; no wonder; what will you have, a glaſs of cowſlip wine?"

"Oh, no, thank you, ma'am," ſaid Frederick.

[132] "Oh, yes; indeed you muſt not leave me without taking ſomething; and Miſs Marianne muſt have another macaroon; I inſiſt upon it," ſaid Mrs. Thereſa, ringing the bell. "It is not late, and my man Chriſtopher will bring up the cowſlip wine in a minute."

"But Sophy! and Papa and Mamma you know will come home juſt now," ſaid Marianne.

"Oh, Miſs Sophy has her books and drawings, you know, ſhe's never afraid of being alone; beſides, to-night it was her own choice; and as to your Papa and Mamma, they won't be home to-night, I'm pretty ſure, for a gentleman, who had it from their own authority, told me where they were going, which is farther off than they think, but they [133]did not conſult me; and I fancy they'll be obliged to ſleep out, ſo you need not be in a hurry about them. We'll have candles."

The door opened juſt as Mrs. Tattle was going to ring the bell again for candles, and the cowſlip wine. "Chriſtopher! Chriſtopher!" ſaid Mrs. Thereſa, who was ſtanding at the fire, with her back to the door when it opened. "Chriſtopher! pray bring—Do you hear?" But no Chriſtopher anſwered; and, upon turning round, Mrs. Tattle, inſtead of Chriſtopher, beheld two little black figures, which ſtood perfectly ſtill and ſilent. It was ſo dark that their forms could ſcarcely be diſcerned.

"In the name of Heaven who, and what may you be? Speak, I conjure you! What are ye?"

[134] "The chimney ſweepers, ma'am, an' pleaſe your ladyſhip."

"Chimney ſweepers," repeated Frederick and Marianne, burſting out a laughing.

"Chimney ſweepers!" repeated Mrs. Thereſa, provoked at the recollection of her late ſolemn addreſs to them. "Chimney ſweepers! and could not you ſay ſo a little ſooner? And pray what brings you here, gentlemen, at this time of night?"

"The bell rang ma'am," anſwered the ſqueaking voice.

"The bell rang! yes, for Chriſtopher. The boy's mad, or drunk."

"Ma'am," ſaid the talleſt of the chimney ſweepers, who had not yet ſpoken, and who now began in a very blunt manner; "Ma'am, your brother deſired us to come up when the bell rang; ſo we did."

[135] "My brother, I have no brother, dunce," ſaid Mrs. Thereſa.

"Mr. Eden, madam."

"Oh, ho!" ſaid Mrs. Tattle, in a more complacent tone, "the boy takes me for Miſs Birtha Eden, I perceive;" and, flattered to be taken in the dark by a chimney ſweeper, for a young and handſome lady, Mrs. Thereſa laughed, and informed him, "that they had miſtaken the room; that they muſt go up another pair of ſtairs, and turn to the left."

The chimney ſweeper with the ſqueaking voice, bowed, thanked her ladyſhip for this information, ſaid, "Good night to ye quality;" and they both moved towards the door.

"Stay," ſaid Mrs. Tattle, whoſe curioſity was excited, "What can the [136]Edens want with chimney ſweepers at this time o'night, I wonder? Chriſtopher, did you hear any thing about it?" ſaid the lady to her footman, who was now lighting the candles.

"Upon my word, ma'am," ſaid the ſervant, "I can't ſay, but I'll ſtep down below and enquire. I heard them talking about it in the kitchen, but I only got a word here and there, for I was hunting for the ſnuff-diſh, as I knew it muſt be for candles, when I heard the bell ring, ma'am, ſo I thought to find the ſnuff-diſh before I anſwered the bell, for I knew it muſt be for candles you rang. But if you pleaſe I'll ſtep down now, ma'am, and ſee about the chimney-ſweeps."

"Yes, ſtep down, do, and Chriſtopher, bring up the cowſlip wine, and ſome more macaroons for my little Marianne."

[137] Marianne withdrew rather coldly from a kiſs which Mrs. Tattle was going to give her, for ſhe was ſomewhat ſurpriſed at the familiarity with which this lady talked to her footman. She had not been uſed to theſe manners in her father and mother, and ſhe did not like them.

"Well," ſaid Mrs. Tattle to Chriſtopher, who was now returned, "what is the news?"

"Ma'am, the little fellow with the ſqueaking voice has been telling me the whole ſtory. The other morning, ma'am, early, he and the other were down the hill, ſweeping in Paradiſe-row; thoſe chimnies, they ſay, are difficult; and the ſquare fellow, ma'am, the biggeſt of the two boys, got wedged in the chimney; the other little fellow was up at the top at [138]the time, and he heard the cry, but in his fright and all he did not know what to do, ma'am, for he looked about from the top of the chimney, and not a ſoul could he ſee ſtirring, but a few that he could not make mind his ſcreech. The boy within almoſt ſtifling too. So he ſcreeched, and ſcreeched, all he could; and by the greateſt chance in life, ma'am, old Mr. Eden was juſt going down the hill to fetch his morning walk."

"Aye," interrupted Mrs. Thereſa, "friend Ephraim is one of your early riſers."

"Well," ſaid Marianne, impatlently.

"So, ma'am, hearing the ſcreech, he turns and ſees the ſweep, and the moment he underſtands the matter—

[139] "I'm ſure he muſt have taken ſome time to underſtand it," interpoſed Mrs. Tattle, "for he's the ſloweſt creature breathing, and the deafeſt in company. Go on, Chriſtopher. So the Sweep did make him hear?"

"So he ſays, ma'am; and ſo the old gentleman went in and pulled the boy out of the chimney, with much ado, ma'am."

"Bleſs me!" exclaimed Mrs. Thereſa, but did old Eden go up the chimney himſelf after the boy, wig and all?"

"Why, ma'am," ſaid Chriſtopher, with a look of great delight, "that was all as one, as the very 'dentical words I put to the boy myſelf when he telled me his ſtory. But, ma'am, that was what I could n't get out of him neither, rightly, for he is a [140]churl; the big boy that was ſtuck in the chimney, I mean, for when I put the queſtion to him about the wig, laughing like, he would n't take it laughing like at all, but would only make anſwer to us like a bear, "He ſaved my life, that's all I know;" and this over again, ma'am, to all the kitchen round, that croſs-queſtioned him. So when I finds him ſo ſtupid and ill-mannered like (for I offered him a ſhilling, ma'am, myſelf, to tell about the wig) but he put it back in a ways that did not become ſuch as he, to no lady's butler, ma'am: whereupon I turns to the ſlim fellow, and he's ſmarterer and more mannerly, ma'am, with a tongue in his head for his betters, but he could not reſolve me my queſtion neither, for he was up at the top of the chimney the beſt part o' the time; and when he [141]came down, Mr. Eden had his wig on, but had his arm all bare and bloody, ma'am."

"Poor Mr. Eden!" exclaimed Marianne.

"Oh, Miſs," continued the ſervant, "and the chimney-ſweep himſelf was ſo bruiſed, and muſt have been killed."

"Well, well! but he's alive now; go on with your ſtory, Chriſtopher," ſaid Mrs. T. "Chimney ſweepers get wedged in chimnies every day, its part of their trade, and its a happy thing when they come off with a few bruiſes. To be ſure," added ſhe, obſerving that both Frederick and Marianne looked diſpleaſed at this ſpeech, "to be ſure, if one may be lieve this ſtory, there was ſome real danger."

[142] "Real danger! yes, indeed," ſaid Marianne, "and I'm ſure I think Mr. Eden was very good."

"Certainly, it was a moſt commendable action, and quite providential; ſo I ſhall take an opportunity of ſaying, when I tell the ſtory in all companies; and the boy may thank his kind ſtars, I'm ſure, to the end of his days for ſuch an eſcape. But pray, Chriſtopher," ſaid ſhe, perſiſting in her converſation with Chriſtopher, who was now laying the cloth for ſupper, "Pray which houſe was it in Paradiſe-row? where the Eagles, or the Miſs Ropers lodge? or which?"

"It was at my lady Batterſby's, ma'am."

"Ha! ha!" cried Mrs. Thereſa, "I thought we ſhould get to the bottom of the affair at laſt. This is excellent! [143]This will make an admirable ſtory for my lady Batterſby the next time I ſee her. Theſe Quakers are ſo ſly!—Old Eden I know has long wanted to get himſelf introduced in that houſe, and a charming charitable expedient he hit upon! My lady Batterſby will enjoy this of all things."

THE MIMIC.
PART III.

[145]

"NOW," continued Mrs. Thereſa, turning to Frederick, as ſoon as the ſervant had left the room, "now, Mr. Frederick Montague, I have a favour—ſuch a favour to aſk of you—its a favour which only you can grant; you have ſuch talents, and would do the thing ſo admirably! and my lady Batterſby would quite adore you for it. She will do me the honour to be here to ſpend an evening to-morrow. I'm convinced Mr. and Mrs. Montague will find themſelves obliged to ſtay out [146]another day; and I ſo long to ſhew you off to her ladyſhip; and your doctor Carbuncle, and your counſellor Puff, and your Miſs Croker, and all your charming characters. You muſt let me introduce you to her ladyſhip to-morrow evening. Promiſe me."—

"Oh, ma'am," ſaid Frederick, "I cannot promiſe you any ſuch thing, indeed. I am much obliged to you, but I cannot come indeed."

"Why not, my dear ſir? Why not? You don't think I mean you ſhould promiſe, if you are certain your Papa and Mamma will be home."

"If they do come home I will aſk them about it," ſaid Frederick, heſitating for though he by no means wiſhed to accept of the invitation, he had not yet acquired the neceſſary power of ſaying NO decidedly.

[147] "Aſk them!" repeated Mrs. Thereſa, "my dear ſir, at your age, muſt you aſk your Papa and Mamma about ſuch things?"

"Muſt! no ma'am," ſaid Frederick; "but I ſaid I would; I know I need not, becauſe my father and mother always let me judge for myſelf about every thing almoſt."

"And about this I am ſure," cried Marianne; Papa and Mamma you know, juſt as they were going away, ſaid, "If Mrs. Thereſa aſks you to come, do as you think beſt."

"Well then," ſaid Mrs. Thereſa, "you know it reſts with yourſelves, if you may do as you pleaſe."

"To be ſure I may, madam," ſaid Frederick, colouring from that [148]ſpecies of emotion which is juſtly called falſe ſhame, which often conquers real ſhame, "to be ſure, ma'am, I may do as I pleaſe."

"Then I may make ſure of you," ſaid Mrs. Thereſa, "for now it would be down right rudeneſs to tell a lady you won't do as ſhe pleaſes. Mr. Frederick Montague, I'm ſure, is too well bred a young gentleman to do ſo impolite, ſo ungallant a thing!"

The jarcon of politeneſs and gallantry is frequently brought by the ſilly acquaintance of young people, to confuſe their ſimple morality and clear good ſenſe. A new and unintelligible ſyſtem is preſented to them, in a language foreign to their underſtanding, and contradictory to their feelings. They heſitate between new motives and old principles; from the [149]fear of being thought ignorant, they become affected; and from the dread of being thought to be children, act like fools. But all this they feel, only when they are in the company of ſuch people as Mrs. Thereſa Tattle.

"Ma'am," Frederick began, "I don't mean to be rude, but I hope you'll excuſe me from coming to drink tea with you to-morrow, becauſe my father and mother are not acquainted with lady Batterſby, and may be they might not like—

"Take care, take care," ſaid Mrs. Thereſa, laughing at his perplexity, you want to get off from obliging me, and you don't know how. You had very nearly made a moſt ſhocking blunder, in putting it all upon poor lady Batterſby. Now you know its impoſſible Mr. and Mrs. Montague [150]could have in nature, the ſlighteſt objection to my introducing you to my lady Batterſby at my own houſe; for don't you know, that beſides her ladyſhip's many unexceptionable qualities, which one need not talk of, ſhe is couſin, but once removed to the Trotters of Lancaſhire, your mother's great favourites. And there is not a perſon at the Wells, I'll venture to ſay, could be of more advantage to your ſiſter Sophy, in the way of partners, when ſhe comes to go to the balls, which it's to be ſuppoſed ſhe will ſome time or other; and as you are ſo good a brother, that's a thing to be looked to, you know. Beſides, as to yourſelf, there's nothing her ladyſhip delights in ſo much as in a good mimic; and ſhe'll quite adore you!"

[151] "But I don't want her to adore me, ma'am," ſaid Frederick, bluntly; then correcting himſelf, added, "I mean for being a mimic."

"Why not, my love, between friends can there be any harm in ſhewing one's talents, you that have ſuch talents to ſhew? She'll keep your ſecret, I'll anſwer for her; and, added ſhe, you need n't be afraid of her criticiſm, for between you and I, ſhe's no great critic, ſo you'll come. Well, thank you, that's ſettled. How you have made me beg and pray; but you know your own value, I ſee, as you entertaining people always do. One muſt aſk a wit, like a fine ſinger, ſo often. Well, but now for the favour I was going to aſk you."

Frederick looked ſurpriſed, for he thought that the favour of his company [152]was what ſhe meant; but ſhe explained herſelf farther.

"The old Quaker who lodges above, Old Ephraim Eden, my lady Batterſby and I have ſo much diverſion about him, he is the beſt character, the oddeſt creature! If you were but to ſee him come into the rooms with thoſe ſtiff ſkirts, or walking with his eternal ſiſter Birtha, and his everlaſting broad brimmed hat, one knows him a mile off. But then his voice, and way, and all together, if one could get them to the life, they'd be better than any thing on the ſtage; better even than any thing I've ſeen to-night; and I think you'd make a capital Quaker for my lady Batterſby; but then the thing is, one can never get to hear the old Quiz talk. Now you who have ſo much invention and cleverneſs; I have no invention myſelf, [153]but could not you hit upon ſome way of getting to ſee him, ſo that you might get him by heart. I'm ſure you, who are ſo quick, would only want to ſee him, and hear for half a minute, to be able to take him off, ſo as to kill one with laughing. But I have no invention.

"Oh, as to the invention," ſaid Frederick, "I know an admirable way of doing the thing, if that was all. But then remember, I don't ſay I will do the thing, for I will not. But I know a way of getting up into his room, and ſeeing him, without his knowing I was there."

"O tell it me, you charming clever creature!"

"But remember, I do not ſay I will do it."

[154] "Well, well, let us hear it, and you ſhall do as you pleaſe afterwards."

"Merciful goodneſs!" exclaimed Mrs. Tattle, "do my ears deceive me? I declare I looked round and thought the ſqueaking chimney ſweeper was in the room!"

"So did I, Frederick, I declare," cried Marianne, laughing, "I never heard any thing ſo like his voice in my life."

Frederick imitated the ſqueaking voice of this chimney ſweeper to great perfection.

"Now," continued he, "this fellow is juſt my height; the old Quaker, if my face were blackened, and if I were to change cloaths with the chimney ſweeper, I'll anſwer for it he would never know me."

[155] "Oh, its an admirable invention, I give you infinite credit for it!" exclaimed Mrs. Thereſa. "It ſhall, it muſt be done: I'll ring, and have the fellow up this minute."

"Oh, no; do not ring," ſaid Frederick, ſtopping her hand, "I don't mean to do it. You know you promiſed that I ſhould do as I pleaſed; I only told you my invention."

"Well, well, but only let me ring and aſk whether the chimney ſweepers are below: you ſhall do as you pleaſe afterwards."

"Chriſtopher, ſhut the door; Chriſtopher," ſaid ſhe to the ſervant, who came up when ſhe rang, "Pray are the ſweeps gone yet?"

"No, ma'am."

"But have they been up to old Eden yet."

[156] "Oh, no, ma'am; nor be not to go till the bell rings, for Miſs Birtha, ma'am, was aſleep, laying down, and her brother would n't have her wakened on no account whatſomever; he came down his ſelf to the kitchen to the ſweeps though; but would n't have, as I heard him ſay, his ſiſter waked for no account. But Miſs Birtha's bell will ring, when ſhe wakens, for the ſweeps, ma'am, t'was ſhe wanted to ſee the boy as her brother ſaved, and I ſuppoſe ſent for 'em to give 'em ſomething charitable, ma'am."

"Well, never mind your ſuppoſitions," ſaid Mrs. Thereſa, "run down this very minute to the little ſqueaking chimney ſweep, and ſend him up to me. Quick, but don't let the other bear come up with him.

[157] Chriſtopher, who had curioſity as well as his miſtreſs, when he returned with the chimney ſweeper, prolonged his own ſtay in the room by ſweeping the hearth, throwing down the tongs and ſhovel, and picking them up again.

"That will do, Chriſtopher; Chriſtopher, that will do I ſay;" Mrs. Thereſa repeated in vain. She was obliged to ſay, "Chriſtopher you may go," before he would depart.

"Now," ſaid ſhe to Frederick, "ſtep in here to the next room, with this candle, and you'll be equipped in an inſtant. Only juſt change cloaths with the boy; only juſt let me ſee what a charming chimney ſweeper you'd make; you ſhall do as you pleaſe afterwards."

[158] "Well, I'll only change cloaths with him juſt to ſhew you for one minute."

"But," ſaid Marianne to Mrs. Thereſa, whilſt Frederick was changing his cloaths, "I think Frederick is right about"—

"About what, love?"

"I think he is in the right not to go up, though he can do it ſo eaſily, to ſee that gentleman, I mean on purpoſe to mimic and laugh at him afterwards; I don't think that would be quite right."

"Why, pray, Miſs Marianne?"

"Why, becauſe he is ſo good natured to his ſiſter. He would not let her be wakened."

"Dear, its eaſy to be good in ſuch little things; and he won't have long [159]to be good to her neither; for I don't think ſhe'll trouble him long in this world any how."

"What do you mean?" ſaid Marianne.

"That ſhe'll die, child."

"Die! die with that beautiful colour in her cheeks! How ſorry her poor, poor brother will be. But ſhe will not die, I'm ſure, for ſhe walks about, and runs up ſtairs ſo lightly! O you muſt be quite entirely miſtaken, I hope."

"If I'm miſtaken, Dr. Panado Cardimum's miſtaken too then, that's my comfort. He ſays, unleſs the waters work a miracle, ſhe ſtands a bad chance; and ſhe won't follow my advice, and conſult the doctor for her health."

"He would frighten her to death, perhaps," ſaid Marianne. "I hope [160]Frederick won't go up to diſturb her."

"Lud, child, you are turned ſimpleton all of a ſudden, how can your brother diſturb her more than the real chimney ſweeper?"

"But I don't think its right," perſiſted Marianne, "and I ſhall tell him ſo."

"Nay, Miſs Marianne, I don't commend you now; young ladies ſhould not be ſo forward to give opinions and advice to their elder brothers unaſked; and Mr. Frederick, and I, I preſume, muſt know what's right, as well as Miſs Marianne. Huſh! here he is! O the capital figure, cried Mrs. Thereſa! Bravo! bravo! cried ſhe, as Frederick entered in the chimney ſweeper's dreſs, and as he ſpoke, ſaying,

[161] "I'm afraid, pleaſe your ladyſhip, to dirty your ladyſhip's carpet."

She broke out into immoderate raptures, calling him "her charming chimney ſweeper!" and repeating that ſhe knew before hand the character would do for him.

She inſtantly rung the bell, in ſpite of all expoſtulation—ordered Chriſtopher to ſend up the other chimney ſweeper—triumphed in obſerving, that Chriſtopher did not in the leaſt know Frederick when he came into the room; and offered to lay any wager that the other chimney ſweeper would miſtake him for his companion.—And ſo he did: and when Frederick ſpoke, the voice was ſo very like, that it was ſcarcely poſſible that he ſhould have perceived the difference.

[162] Marianne was diverted by this ſcene, but ſhe ſtarted, when in the midſt of it they heard a bell ring.

"That's the lady's bell, and we muſt go," ſaid the blunt chimney ſweeper.

"Go, then, about your buſineſs, and here's a ſhilling for you to drink, my honeſt fellow. I did not know you were ſo much bruiſed when I firſt ſaw you—I won't detain you. Go," ſaid ſhe, puſhing Frederick towards the door.

Marianne ſprang forward to ſpeak to him, but Mrs. Thereſa kept her off; and though Frederick reſiſted, the lady ſhut the door upon him by ſuperior force; and having locked it, there was no retreat.

Mrs. Tattle, and Marianne, waited impatiently for Frederick's return.

[163] "I hear them," cried Marianne. "I hear them coming down ſtairs."

They liſtened again, and all was ſilent.

At length they heard ſuddenly a great noiſe of many ſteps, and many voices in confuſion in the hall.

"Merciful!" exclaimed Mrs. Thereſa, "it muſt be your father and mother come back."

Marianne ran to unlock the room door, and Mrs. Thereſa followed her into the hall.

The hall was rather dark, but under the lamp a crowd of people. All the ſervants in the houſe were gathered together.

As Mrs. Thereſa approached, the crowd opened in ſilence, and ſhe beheld in the midſt Frederick, blood ſtreaming from his face; his head [164]was held by Chriſtopher, and the chimney ſweeper was holding a baſon for him.

"Merciful! Gracious Heaven! what will become of me!" exclaimed Mrs. Thereſa. "Bleeding! good God! he'll bleed to death! Can nobody think of any thing that will ſtop blood in a minute? A key—a large key down his back; a key—has nobody a key? Mr. and Mrs. Montague will be here before he has done bleeding. A key! Cobwebs! a puff-ball! for mercy's ſake! Can nobody think of any thing that will ſtop blood in a minute! Gracious me! he'll bleed to death, I believe!"

"He'll bleed to death! O my brother!" cried Marianne, catching hold of the words, and terrified, ſhe [165]ran up ſtairs, crying, "Sophy! O Sophy! come down this minute, or he'll be dead! my brother's bleeding to death.—Sophy! Sophy! come down, or he'll be dead!"

"Let go the baſon, you," ſaid Chriſtopher, pulling the baſon out of the chimney ſweeper's hand, who had all this time ſtood in ſilence, "you are not fit to hold the baſon for a gentleman."

"Let him hold it," ſaid Frederick, "he did not mean to hurt me."

"That's more than he deſerves. I'm certain ſure he might have known well enough it was Mr. Frederick all the time, and he'd no buſineſs to go to fight—ſuch a one as he, with a gentleman."

[166] "I did not know he was a gentleman," ſaid the chimney ſweeper, "How could I?"

"How could he indeed?" ſaid Frederick, "he ſhall hold the baſon."

"Gracious me! I'm glad to hear him ſpeak like himſelf again, at any rate," cried Mrs. Thereſa. "Lord bleſs us! and here comes Miſs Sophy too."

"Sophy!" cried Frederick, "Oh, Sophy! don't you come—don't look at me, you'll deſpiſe me."

"My brother! where! where!" ſaid Sophy, looking, as ſhe thought, at the two chimney ſweepers.

"Its Frederick," ſaid Marianne, "that's my brother."

"Miſs Sophy, don't be alarmed," Mrs. Thereſa began, "but gracious goodneſs, I wiſh Miſs Birtha"—

[167] At this inſtant, a female figure in white appeared upon the ſtairs; ſhe paſſed ſwiftly on, whilſt every one gave way before her.

"Oh, Miſs Birtha!" cried Mrs. Thereſa, catching hold of her gown to ſtop her as ſhe came near Frederick, "Oh, Miſs Eden, your beautiful India muſlin!—take care of the chimney ſweeper, for Heaven's ſake." —But ſhe preſſed forwards.

"Its my brother; will he die?" cried Marianne, throwing her arms round her, and looking up as if to a being of a ſuperior order, "Will he bleed to death?"

"No, my love!" anſwered a ſweet voice, "do not frighten thyſelf."

"I've done bleeding," ſaid Frederick.

[168] "Dear me, Miſs Marianne, if you would not make ſuch a rout," cried Mrs. Tattle. "Miſs Birtha, its nothing but a frolic. You ſee Mr. Frederick Montague only in a maſquerade dreſs. Nothing in the world but a frolic, ma'am. You ſee he ſtops bleeding. I was frightened out of my wits at firſt; I thought it was his eye, but I ſee it is only his noſe; all's well that ends well. Mr. Frederick, we'll keep your counſel. Pray, ma'am, let us aſk no queſtions, its only a boyiſh frolic. Come Mr. Frederick this way, into my room, and I'll give you a towel, and ſome clean water, and you can get rid of this maſquerade dreſs. Make haſte, for fear your father and mother ſhould pop in upon us."

"Do not be afraid of thy father and mother, they are ſurely thy beſt [169]friends," ſaid a mild voice. It was the voice of an elderly gentleman who now ſtood behind Frederick.

"Oh, ſir! Oh, Mr. Eden!" ſaid Frederick, turning to him—

"Don't betray me! for goodneſs ſake, ſay nothing about me," whiſpered Mrs. Tattle.

"I am not thinking about you—Let me ſpeak," cried he, puſhing away her hand, which ſtopped his mouth, "I ſhall ſay nothing about you, I promiſe you," ſaid Frederick, with a look of contempt.

"No, but for your own ſake, my dear ſir, your Papa and Mamma! Bleſs me! is not that Mrs. Montague's carriage?"

"My brother, ma'am," ſaid Sophy, "is not afraid of my father and mother's coming back. Let him [170]ſpeak—he was going to ſpeak the truth."

"To be ſure, Miſs Sophy, I would n't hinder him from ſpeaking the truth; but its not proper, I preſume, ma'am, to ſpeak truth at all times, and in all places, and before every body, ſervants and all. I only wanted, ma'am, to hinder your brother from expoſing himſelf. A hall, I apprehend, is not a proper place for explanations."

"Here," ſaid Mr. Eden, opening the door of his room, which was on the oppoſite ſide of the hall to Mrs. Tattle's, "Here is a place," ſaid he to Frederick, "where thou mayeſt ſpeak the truth at all times, and before every body."

"Nay, my room's at Mr. Frederick Montague's ſervice, and my [171]door's open too. This way, pray," ſaid ſhe, pulling his arm.

But Frederick broke from her, and followed Mr. Eden.

"Oh, Sir, will you forgive me!" cried he.

"Forgive thee!—and what have I to forgive?"

"Forgive, brother, without aſking what," ſaid Birtha, ſmiling.

"He ſhall know all," cried Frederick; "all that concerns myſelf, I mean. Sir, I diſguiſed myſelf in this dreſs; I came up to your room tonight on purpoſe to ſee you, without your knowing it, that I might mimic you. The chimney ſweeper—where is he?" ſaid Frederick, looking round, and he ran into the hall to ſee for him—"May he come in? he may—he is a brave, an honeſt, good, grateful boy. He never gueſſed who I was; [172]after we left you, we went down to the kitchen together, and there I, fool that I was, for the pleaſure of making Mr. Chriſtopher and the ſervants laugh, began to mimic you. This boy ſaid, he would not ſtand by and hear you laughed at;—that you had ſaved his life;—that I ought to be aſhamed of myſelf;—that you had juſt given me half-a-crown:—and ſo you had;—but I went on, and told him, I'd knock him down if he ſaid another word.—He did—I gave the firſt blow—we fought—I came to the ground—the ſervants pulled me up again.—They found out, I don't know how, that I was not a chimney ſweeper—the reſt you ſaw. And now can you forgive me, Sir," ſaid Frederick to Mr. Eden, ſeizing hold of his hand.

[173] "The other hand, friend," ſaid the Quaker, gently withdrawing his right hand, which every body now obſerved being much ſwelled, he put it in his boſom again—"This hand and welcome," ſaid he, offering his other hand to Frederick, and ſhaking his with a ſmile.

"O that other hand!" ſaid Frederick, "that was hurt I remember.— How ill I have behaved—extremely ill.—But this is a leſſon that I ſhall never forget as long as I live. I hope for the future I ſhall behave like a gentleman."

"And like a man—and like a good man, I am ſure thou wilt," ſaid the good Quaker, ſhaking Frederick's hand affectionately, "or I am much miſtaken friend in that black countenance."

[174] "You are not miſtaken," cried Marianne, "Frederick will never be perſuaded again by any body to do what he does not think right; and now, brother, you may waſh your black countenance."

Juſt when Frederick had got rid of half his black countenance, a double knock was heard at the door. It was Mr. and Mrs. Montague—who went into the hall to meet them.

"What will you do now?" whiſpered Mrs. Thereſa to Frederick, as his father and mother came into the room.

"A chimney ſweeper! covered with blood!" exclaimed Mr. and Mrs. Montague.

"Father, I am Frederick," ſaid he, ſtepping forward towards them as they ſtood in aſtoniſhment.

[175] "Frederick! my ſon!"

'Yes, mother, I'm not hurt half ſo much as I deſerve; I'll tell you—"

"Nay," interrupted Birtha, "let my brother tell the ſtory this time, thou haſt told it once, and told it well—no one but my brother could tell it better."

"A ſtory never tells ſo well the ſecond time, to be ſure," ſaid Mrs. Thereſa, "but Mr. Eden will certainly make the beſt of it."

Without taking any notice of Mrs. Tattle, or her apprehenſive looks, Mr. Eden explained all that he knew of the affair in a few words, "your ſon," concluded he, "will quickly put off this dirty dreſs—the dreſs hath not ſtained the mind—that is fair and honourable. When he felt himſelf in the wrong, he ſaid ſo; nor was he in haſte to conceal his adventure from [176]his father; this made me think well of both father and ſon. I ſpeak plainly, friend, for that is beſt. But what is become of the other chimney ſweeper? he will want to go home," ſaid Mr. Eden, turning to Mrs. Thereſa.

Without making any reply, ſhe hurried out of the room as faſt as poſſible, and returned in a few moments, with a look of extreme conſternation,

"Good Heaven! here is a cataſtrophe, indeed!—now indeed, Mr. Frederick, your Papa and Mamma, have reaſon to be angry. A new ſuit of cloaths!—the bare-faced villain!—gone!—no ſign of them in my cloſet, or any where—the door was locked—he muſt have gone up the chimney, out upon the leads, and ſo [177]eſcaped; but Chriſtopher is after him. I proteſt, Mrs. Montague, you take it too quietly.—The wretch!—a new ſuit of cloaths, blue coat and buff waiſtcoat.—I never heard of ſuch a thing!—I declare, Mr. Montague, you are vaſtly good now not to be in a paſſion," added Mrs. Thereſa.

"Madam," replied Mr. Montague, with a look of much civil contempt, "I think the loſs of a ſuit of cloaths, and even the diſgrace that my ſon has been brought to this evening, fortunate circumſtances in his education. He will, I am perſuaded, judge and act for himſelf more wiſely in future; nor will he be tempted to offend againſt humanity, for the ſake of being called, "The beſt Mimic in the World."

END OF VOL. II.
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